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Q: How large is your collection of Mexican folk art objects?

Part of my collection

A: I began collecting these figures in the early 1990s.I haven’t counted them, but my guess is that I have amassed around 200 pieces of various sizes. This includes some Guatemalan figures. I went to Guatemala in 2009 and 2010.Since I divide my time between a house in Alexandria, VA, an apartment in Manhattan, and a studio in Chelsea, a portion of my folk art collection resides in each of these places.

Since 2017 I have been creating pastel paintings in the “Bolivianos” series, which exclusively use my photographs of Bolivian Carnival masks as source material. Occasionally, I will add one of my smaller Mexican or Guatemalan figures to improve and enrich a painting’s composition. Otherwise, my Mexican collection sits gathering dust. My thinking and my ideas, not to mention my travels, have evolved and just naturally moved on with time.

Comments are welcome!

Pearls from artists* # 605

“The Mentalist,” Soft Pastel on Sandpaper, 26” x 20” Image, 35” x 28.5” Framed
“The Mentalist,” Soft Pastel on Sandpaper, 26” x 20” Image, 35” x 28.5” Framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

At first the concept of the unconscious was limited to denoting the state of repressed or forgotten contents. Even with Freud, who makes the unconscious – at least metaphorically – take the stage as the acting subject, it is really nothing but the gathering place of forgotten and repressed contents, and has a functional significance thanks only to these. For Freud, accordingly, the unconscious is of an exclusively personal nature, although he was aware of its archaic and mythological thought forms.

A more or less superficial layer of the unconscious is undoubtedly personal. I call it the personal unconscious. But this personal unconscious rests upon a deeper layer, which does not derive from personal experience and is not a personal acquisition but is inborn. This deeper layer I call the collective unconscious. I have chosen the term “collective” because this part of the unconscious is not individual but universal; in contrast to the personal psyche, it has contents and modes of behavior that are more or less the same everywhere and in all individuals. It is, in other words, identical in all men and thus constitutes a common psychic substrate of a suprapersonal nature which is present in every one of us.

Carl Jung in The Archetypes and the Collective Unconscious, translated by RFC Hull

Comments are welcome!