Blog Archives

Pearls from artists* # 574

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A creative life is risky business. To follow your own course, not patterned on parents, peers, or institutions, involves a delicate balance of tradition and personal freedom, a delicate balance of sticking to your guns and remaining open to change. While on some dimensions living a normal life, you are nevertheless a pioneer, breaking away from the molds and models that inhibit the heart’s desire, creating life as it goes. Being, acting, creating in the moment without props and supports, without security, can be supreme play, and it can also be frightening, the very opposite of play. Stepping into the unknown can lead to delight, poetry, invention, humor, lifetime friendships, self-realization, and occasionally a great creative breakthrough. Stepping into the unknown can also lead to failure, disappointment, rejection, sickness, or death.

Stephen Nachmanovitch in Free Play: Improvisation in Life and Art

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Pearls from artists* # 335

Museum of Ethnography and Folklore, La Paz, Bolivia

Museum of Ethnography and Folklore, La Paz, Bolivia

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Federico Diez de Medina, a mask collector and archaeologist, offers a view  based on an analysis of many masks and other artifacts from the Tiwanaku area.  He suggests that the first masks were to exorcise evil spirits.  To be effective, they had to be frightening.

“On the other hand,” he imagines, “it was obligatory for the high dignitaries in the great Aymara empire – the apus, malkus and curacas – to wear masks… for pronouncing judgments and for rites associated with religious observance, death and war, as well as for the varied dances of the seasonal rituals and other festivities.  They also had to preside at sports events and decide the winners of numerous open air activities.”  Among these pursuits the author mentions the jaltiris (races), ch’akusiris (fist fights), khorawasiris (slingshot) and mich’isiris (shooting darts or arrows).      

Masks of the Altiplano by Manuel Vargas in Masks of the Bolivian Andes, Photographs:  Peter McFarren, Sixto Choque, Editorial Quipos and BancoMercantil

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Pearls from artists* # 147

Alexandria, Virginia living room

Alexandria, Virginia living room

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I am working, every day… on new photographs.  This body of work, family pictures, is beginning to take on a life of its own.  Seldom, but memorably, there are times when my vision, even my hand, seems guided by, well, let’s say a muse.  There is at that time an almost mystical rightness about the image:  about the way the light is enfolding, the way the [kids’] eyes have taken on an almost frightening intensity, the way there is a sudden, almost outer-space-like, quiet.

These moments nurture me through the reemergence into the quotidian… through the bill paying and the laundry and the shopping for soccer shoes, although I am finding that I am becoming increasingly distant, like I am somehow living full time in those moments.  

Sally Mann in Hold Still:  A Memoir with Photographs

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