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Pearls from artists* # 423

"Epiphany," soft pastel on sandpaper, 38" x 58"

“Epiphany,” soft pastel on sandpaper, 38″ x 58″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I’ve mentioned that Kenneth Clark, the British art historian, said you could take the four best paintings of any artist in history and destroy the rest and the artist’s reputation would still be intact.  This is because in any artist’s life there are moments when everything goes right.  The artist is so in tune with his or her inner vision that there is no restriction.  The divine is being expressed.  Each mark becomes like a note of music in a divine order.

That experience, that prayer of expression, transcends its material and becomes spiritual.  The experience is overwhelming, the joys it communicates explosive.

When on another occasion we can’t find that spiritual level of experience, and so can’t repeat it, the frustration can be cruel and the separation painful.  Here lies the myth of the suffering artist.  It isn’t the art making when it goes well that has any suffering in it.  That is the union with the beloved.  It’s the loss that causes the suffering.  And the problem isn’t something we can necessarily control.  We are instruments, conduits for that expression.  It comes through us by grace.

The idea that we “make” art is perhaps a bit misleading.  The final product is at its best the result of a collaboration with spirit.  We may be separated from a flow within our spirit for weeks.  We continue to paint because there is no knowing at what precise moment it will return.  And when it does we need our faculties alert and our skills honed.  Then the poetry is everywhere.    

Ian Roberts in Creative Authenticity:  16 Principles to Clarify and Deepen Your Artistic Vision

Comments are welcome!

Q: Can you speak about a book (or books) that deeply influenced you as an artist?

Barbara's well-worn copy of "Camille Pissarro:  Letters to His Son Lucien"

Barbara’s well-worn copy of “Camille Pissarro: Letters to His Son Lucien”

A:  One such book that stands out is “Camille Pissaro:  Letters to His Son Lucien.”  The book is comprised of weekly letters from a father conveying wisdom about his craft, art, and life, over roughly twenty years, to a beloved son, who is just beginning his artistic journey.  I discovered this gem about thirty years ago when I was just starting to find my way as an artist, too.  Pissarro’s words are beautiful, poignant, and deeply felt.   He has much to say to artists because, sadly, we still contend with the same problems, such as how to remain authentic and earn a living, how to deal with galleries and collectors, how to stay focused on the work, etc.  I often enjoy rereading favorite passages simply because it makes me feel less alone as an artist.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am at work on a small (20″ x 26″) pastel-on-sandpaper painting tentatively called, “Duo.”  My previous painting, “Charade,” was a breakthrough of sorts; at least I hope so, because it was such an ordeal to complete!  

That’s why I am giving myself a break and making a relatively simple piece now.  It’s a way of resting and also of re-filling the well. 

Recently something happened that broke my heart:  I had to put my beloved cat to sleep.  When I look at this image I am reminded of Kit Kat, who was always by my side.  He and I were another “Duo” alluded to in the title of this painting.

Comments are welcome!    

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