Blog Archives

Pearls from artists* # 52

Boat hull

Boat hull

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The modern way of seeing is to see in fragments.  It is felt that reality is essentially unlimited, and knowledge is open-ended.  It follows that all boundaries, all unifying ideas have to be misleading, demagogic; at best, provisional; almost always, in the long run, untrue.  To see reality in the light of certain unifying ideas has the undeniable advantage of giving shape and form to our experience.  But it also – so the modern way of seeing instructs us – denies the infinite variety and complexity of the real.  Thereby it represses our energy, indeed our right, to remake what we wish to remake – our society, ourselves.  What is liberating, we are told, is to notice more and more.

Paolo Dilonardo and Anne Jump, editors, Susan Sontag At the Same Time:  Essays and Speeches

Comments are welcome!

Pearls from artists* # 27

Broken Bridge II, by El Anatsui, on the High Line

Broken Bridge II, by El Anatsui, on the High Line

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Of course, when people said a work of art was interesting, this did not mean that they necessarily liked it – much less that they thought it beautiful.  It usually meant no more than that they thought they ought to like it.  Or that they liked it, sort of, even though it wasn’t beautiful.

Or they might describe something as interesting to avoid the banality of calling it beautiful.  Photography was the art where “the interesting” first triumphed, and early on:  the new, photographic way of seeing proposed everything as a potential subject for the camera.  The beautiful could not have yielded such a range of subjects; and it soon came to seem uncool to boot as a judgment.  Of a photograph of a sunset, a beautiful sunset, anyone with minimal standards of verbal sophistication might well prefer to say, “Yes, the photograph is interesting.”

What is interesting?  Mostly, what has not previously been thought beautiful (or good).  The sick are interesting, as Nietzsche points out.  The wicked, too.  To name something as interesting implies challenging old orders of praise; such judgments aspire to be found insolent or at least ingenious.  Connoisseurs of “the interesting” – whose antonym is “the boring” – appreciate clash, not harmony.  Liberalism is boring, declares Carl Schmitt in The Concept of the Political, written in 1932.  (The following year he joined the Nazi Party).  A politics conducted according to liberal principles lacks drama, flavor, conflict, while strong autocratic politics – and war – are interesting.   

Paolo Dilonardo and Anne Jump, editors, Susan Sontag:  At the Same Time

Comments  are welcome!