Blog Archives

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am at work on a small (20″ x 26″) pastel-on-sandpaper painting tentatively called, “Duo.”  My previous painting, “Charade,” was a breakthrough of sorts; at least I hope so, because it was such an ordeal to complete!  

That’s why I am giving myself a break and making a relatively simple piece now.  It’s a way of resting and also of re-filling the well. 

Recently something happened that broke my heart:  I had to put my beloved cat to sleep.  When I look at this image I am reminded of Kit Kat, who was always by my side.  He and I were another “Duo” alluded to in the title of this painting.

Comments are welcome!    

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am still working on “Charade.”  This pastel painting has given me so many problems!  In particular, I have not resolved the figure in the middle.  l am not happy with the mouth and the entire figure needs more detail.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am in the very early stages of a large pastel painting.  I have never painted any of these figures before and they originated in different parts of the world.  The bird (left) is from the Brooklyn Museum’s store, although it was hand carved in Guatemala.  The standing figure is carved wood with beautiful painted details.  It was a lucky find on a trip to Panajachel, Guatemala.  The armadillo (red and grey) was made by one of my favorite Mexican folk artists (now deceased) and I believe it’s one of the last pieces he completed.  It is a papier mâché figure that I found in a small shop in Mexico City.  The figure on the upper right is a wooden mask bought from a talkative and talented artist at a hotel in Kandy, Sri Lanka.  It depicts nagas (cobras), although you can’t tell that yet in the painting.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  This one has been a problem child.   Here is a large pastel painting called, “Charade, ” that still needs a lot of work.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on “Provocateur,” a small pastel on sandpaper painting.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am working on a small pastel painting, a portrait of my favorite Mexican Judas figure.

Comments are welcome! 

Q: What’s on the easel today?

Work in pogress

Work in pogress

A:  I am working on a 38″ x 58″ pastel painting.  Rather than create and photograph a new setup each time, I sometimes search through older photographs to find ones that might spark a compelling painting.  Photos that I haven’t seen in a while often have new lessons to teach.  The one clipped to my easel above is from 2009. 

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am close to finishing a 38″ x 58″ pastel painting called “Duality.”

Comments are welcome!   

Q: What’s on the easel today?

"Duality," soft pastel on sandpaper, 38" x 58"

“Duality,” soft pastel on sandpaper, 38″ x 58″

A:  I continue working on a large pastel painting called, “Duality.”  This one is taking longer than usual, perhaps because the large heads are a departure from anything I’ve made before.  I am having to find my way more slowly.    

Comments are welcome! 

Q: What’s on the easel today?

 

"Troublemaker" in progress

“Troublemaker” in progress

A:  I’m working on a small 20″ x 26″ pastel painting called, “Troublemaker.”  The reference photo is a favorite that I shot with Bryan’s old Nikon F1 in 2002, when I first began studying in earnest at the International Center of Photography.  The painting is very similar to the photo because I think the photo is quite good.

Comments are welcome!