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Pearls from artists* # 598

“The Enigma,” soft pastel on sandpaper, 26” x 20”
“The Enigma,” soft pastel on sandpaper, 26” x 20”

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

For art to appear, we have to disappear. This may sound strange, but in fact it is a common appearance. The elementary case, for most people, is when our eye or ear is “caught” by something: a tree, a rock, a cloud, a beautiful person, a baby’s gurgling, spatters of sunlight reflected off some wet mud in the forest, the sound of a guitar wafting unexpectedly out of a window. Mind and sense are arrested for a moment, fully in the experience. Nothing else exists. When we “disappear” in this way, everything around us becomes a surprise, new and fresh. Self and environment unite. Attention and intention fuse. We see things just as we and they are, yet we are able to guide and direct them to be one just the way we want them. This lively and vigorous state of mind is the most favorable to the germination of original work of any kind. It has its roots in child’s play, and its ultimate flowering in full-blown artistic creativity.

Stephen Nachmanovitch in Free Play: Improvisation in Life and Art

Comments are welcome!

Pearls from artists* # 563

“The Enigma,” Soft Pastel on Sandpaper, 26” x 20” Image, 35” x 28.5” Framed
“The Enigma,” soft pastel on sandpaper, 26” x 20” image, 35” x 28.5” framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

[John] Graham defined art as a “process of abstracting” thought and emotion by the use of paint or metal or stone. Because art was therefore intrinsically abstract, the duty of the artist would be to push abstraction “fearlessly to its logical end instead of evading it under the disguises of charm or being ‘true to nature.’” The artist created for society, he said, but if that society didn’t like what he or she had produced, the artist”does not trade his ideals for success. Martyrs and saints love luxury and success just as much as ordinary people, only they love something else even more.” Graham said, if the artist is a true genius, he can expect to be misunderstood and alone. “The beauty of genius is frightful to behold, few can envisage it. Others find subterfuge in scepticism.” The abstract artist, he said, would be repeatedly challenged by such skeptics asking, “‘What does it mean?’… Is it a sky, a house, a horse?’” To which they should respond with confidence and honesty, “‘No, it is a painting.’”

Mary Gabriel in Ninth Street Women

Comments are welcome!