Blog Archives

Pearls from artists* # 124

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

You give yourself a creative life – pursuing those questions and aesthetic conditions that mean the most to you.  What are you interested in?  Landscape and gender and nuclear power are each worthy subjects and there are plenty more.  Do you aspire to exhibit in museums or public spaces or virtual realms?  Your job is to figure out how to best engage these distinct contexts.  Your studio may be a large industrial space or a second bedroom or the kitchen table, where you can work days or nights while wearing your favorite sweatpants and drinking tea as music blasts or silence is maintained.  You might produce five or fifty objects a year, using bronze or oil paint or folded paper, and these can be large or tiny, made to last for centuries or a few weeks.  Maybe you’ve been a printmaker for several years and all of a sudden you decide to make videos.  OK.  You might be influenced by Pop Art or Minimalism or Feminism or Fluxus.  How are you using these various histories to your advantage?  Does Edward Hopper or Gordon Matta-Clark or Agnes Martin or David Hammons inspire you?  If not, who does?  Try to understand the reasons for your choices, and if you feel the need to shift gears, indulge that impulse.  Grant yourself the permission to acquire new skills, travel to biennials, buy a new computer, start a reading group.  Risk not knowing what will happen when you do.

Stephen Horodner in THE ART LIFE:  On Creativity and Career

Comments are welcome!    

Q: What artists influenced the creation of your latest pastel-on-sandpaper painting?

"Incognito," 38" x 58," soft pastel on sandpaper

“Incognito,” 38″ x 58,” soft pastel on sandpaper

A:  As I continue to evolve my studio practice, I study and learn from various artists, living and long gone, who have mastered visual art and many other disciplines.  I cannot point to any particular artists that directly influenced “Incognito” or any other specific paintings.  

With “Pearls from artists,” published every Wednesday in this blog, I quote passages from books I am reading that resonant with ideas regarding my work.  Readers can perhaps infer some of my influences from those posts.

Comments are welcome!