Q: What’s on the easel today?
A: I’m working on a 58” x 38” pastel painting that is number 20 in the ”Bolivianos” series. It does not yet have a title. The mask depicted is a Supay. From Wikipedia:
In the Quechua, Aymara, and Inca mythologies, Supay was both the god of death and ruler of the Ukha, Pacha, and the Incan underworld, as well as a race of demons. Supay is associated with miners’ rituals.
With the Spanish colonization of the Americas, Christian priests used the name “Supay” to refer to the Christian Devil. However, unlike Europeans in relation to the Christian Devil, the indigenous people did not repudiate Supay but, being scared of him, they invoked him and begged him not to harm them.
Supay acquired a syncretic symbolism, becoming a main character of the diabladas of Bolivia (seen in the Carnival of Oruro), Peru and other Andean countries. The name Supay is now roughly translated into diablo (Spanish for devil) in most Southern American countries. In some of them, for example the northern region of Argentina, the underworld where Supay rules, is called “Salamanca”.
Comments are welcome!
Posted on January 8, 2022, in 2022, Art Works in Progress, Bolivia, Bolivianos, Creative Process, Pastel Painting, Studio, Working methods and tagged acquired, American, Americas, Andean, Argentina, associated, Aymara, becoming, begged, Bolivia, Bolivianos, Carnival of Oruro, character, Christian, countries, demons, diabladas, easel, Europeans, example, Incan, indigenous, invoked, minets’, mythologies, northern, number, pastel painting, people, priests, Quechua, relation, repudiate, rituals, roughly, Salamanca, scared, Soanish’colonization, southern, Spanish, Supay, symbolism, syncretic, today, translated, underworld, unlike, Wikipedia, work in progress, working. Bookmark the permalink. Comments Off on Q: What’s on the easel today?.