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Q: I understand your comments to mean that being at the studio challenges you to be your best. How (why) do you think that works? (Question from Nancy Nikkal)

"Avenger," soft pastel on sandpaper, 58" x 38"

“Avenger,” soft pastel on sandpaper, 58″ x 38″

A: I am always trying to push my pastel techniques further, seeking to figure out new ways to render my subject matter, expanding my technical vocabulary. It would be monotonous to keep working the same old way.  Wasn’t it John Baldessari who said, “No more boring art?”  He was talking about art that’s boring to look at.  Well, as someone who CREATES art I don’t want to be bored during the making so I keep challenging myself.  I love learning, in general, and I especially love learning new things about soft pastel.

Very often I start a project because I have no idea how to depict some particular subject using pastel.  For example, one of the reasons I undertook “Avenger” was to challenge myself to render all of that hair!  Eventually I managed to figure it out and I learned a few new techniques in the process.

Comments are welcome!

Pearls from artists* # 55

Alexandria, VA

Alexandria, VA

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Once a work is completed, I have to wait before undertaking another.  The completed work does not release me quickly.  It moves its chattels slowly.  The wise thing then is a change of air and of room.  The new material comes to me on my walks.  Whatever happens I mustn’t notice it.  If I interfere, it doesn’t come any more.  One fine day the work demands my help.  I give myself up to it in one fell swoop.  My pauses are its own.  If it falls asleep my pen skids.  As soon as it wakes, it gives me a shake.  It couldn’t care less if I am asleep.  Get up, it says, so that I can dictate.  And it is not easy to follow.  Its vocabulary is not of words.  

Jean Cocteau in The difficulty of Being

Comments are welcome!