Blog Archives

New eBook!

Cover

Cover

I am pleased to announce that my first eBook, FROM PILOT TO PAINTER, is available now on Amazon!

It is based on my blog and is part memoir, including my personal loss on 9/11, insights into my creative practice, and intimate reflections on what it’s like to be an artist living in New York City now.

The eBook includes new material not  found on the blog:  25+ reproductions of my vibrant pastel-on-sandpaper paintings, a Foreword by Ann Landi (who writes for ARTnews and The Wall Street Journal), and more.

Thank you for your support!

http://www.amazon.com/From-Pilot-Painter-Interview-Barbara-ebook/dp/B00HNVR200/ref=sr_1_1?ie=UTF8&qid=1389292390&sr=8-1&keywords=barbara+rachko

Note:  If you do not own a Kindle, you can download a free Kindle app.

Here is the one for MACs:

http://www.amazon.com/gp/feature.html?docId=1000464931 

Here is a link for the rest: 

Kindle Cloud Reader – Read instantly in your browser

Smartphones – iPhone & iPod touch, Android, Windows Phone,  BlackBerry

Computers – Mac, Windows 8, Windows 7, XP & Vista

Tablets – iPad, Android Tablet, Windows 8

http://www.amazon.com/gp/feature.html/ref=sv_kstore_3?ie=UTF8&docId=1000493771

Comments are welcome!

Q: Please describe your artistic self in six words.

Alli's backyard

Alli’s backyard

A:  Talking about myself I would say, “Seeker of color, light, and beauty;” on my creative journey, “Driven to communicate eloquently with less;” and concerning my artistic practice as a whole, “Excellence, authenticity, and integrity above everything.”   

Comments are welcome!

Pearls from artists* # 12

Grand Falls, AZ

Grand Falls, AZ

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

People who set their sails into art tend to work very hard.  They train themselves in school; they practice and they read and they think and they talk.  But for most of them there seems to be a more or less conscious cutoff point.  It can be a point in time:  “I will work until I am twenty-one (twenty-five, thirty, or forty).”  Or a point in effort:  “I will work three hours a day (or eight or ten).” Or  a point in pleasure:  “I will work unless…” and here the “enemies of promise” harry the result.  These are personal decisions, more or less of individual will.  They depend on the scale of values according to which artists organize their lives.  Artists have a modicum of control.  Their development is open-ended.  As the pressure of their work demands more and more of them. they can stretch to meet it.  They can be open to themselves, and as brave as they can be to see who they are, what their work is teaching them.  This is never easy.  Every step forward is a clearing through a thicket of reluctance and habit and natural indolence.  And all the while they are at the mercy of events.  They may have a crippling accident, or may find themselves yanked into a lifelong responsibility such as the necessity to support themselves and their families.  Or a war may wipe out the cultural context on which they depend. Even the most fortunate have to adjust the demands of a personal obsession to the demands of daily life.

Anne Truitt, Daybook: The Journal of an Artist

Comments are welcome.