Blog Archives

Q: Are there any artists you admire? (Question from “Cultured Focus” Magazine)

“Henri Matisse: Forms in Freedom,” The National Arts Center, Tokyo, Japan


A: Among historical painters, I adore Henri Matisse and André Derain, for their striking compositions and bold use of colors.  Among living photographers, I am most fascinated by the Pictures Generation, namely, Cindy Sherman, Laurie Simmons, Sandy Skoglund, and Gregory Crewdson.  I am drawn to these photographers, I think, because my earliest pastel painting series involved staged photography. 

Comments are welcome!

Q: Are there any artists whose work you particularly admire? (Question from “Cultured Focus Magazine”)

Henri Matisse: Forms in Freedom at the National Art Center Tokyo

A: Among historical painters, I adore Henri Matisse and André Derain, for their striking compositions and bold use of colors.  Among living photographers, I am most fascinated by the Pictures Generation, namely, Cindy Sherman, Laurie Simmons, Sandy Skoglund, and Gregory Crewdson.  I am drawn to these photographers, I think, because my earliest pastel painting series involved staged photography. 

Comments are welcome!

Pearls from artists* # 144

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Art and design are rule-based.  This flies in the face of everything that most people have been taught before, namely, that art and design are about freedom.  I remember reading a wonderful analogy about this concept many years ago in an out-of-print, early twentieth-century book on design.  The author asked us to imagine a flying kite – the quintessential emblem of unrestricted, spontaneity, soaring in the wind.  Keeping taught the line between you and the kite, however, is the source of that freedom.  Here’s another way of putting it:  “Creativity arises out of the tension between the rules and imagination.”

Leslie Hirst in The Art of Critical Making:  Rhode Island School of Design on Creative Practice, Rosanne Somerson and Mara L. Hermano, editors

Comments are welcome!