Blog Archives

Q: You seem very disciplined. Do you ever have a day when you just can’t get excited about going to the studio to work?

Signing “Narcissist”


A:  That happens occasionally, but I usually still go to the studio to work.  You know the expression, “99% of life is just showing up”?  Well, of course I have to show up at my studio to accomplish anything so I still try to keep fairly regular studio hours – 6 to 7 hours a day, 4 or 5 days a week. And that’s not to mention all the other work – answering email, checking social media, writing blog posts, etc. – which I tend to do at lunchtime, in the evenings, and on my days off from the studio.

When you are an artist there is always work to do and for some of it, no one else can do it because no one else knows the work from the inside the way the maker does.  I like what Twyla Tharp says in her book, “The Creative Habit.”  In order to progress an artist needs good work habits that become a daily routine.  And Chuck Close used to say, “Inspiration is for amateurs,” meaning a professional works whether she’s in the mood or not.  I completely agree so I keep working and slowly moving ahead. 

As Tchaikovsky wrote in a letter to a friend:

We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood.  If we wait for the mood, without endeavoring to meet it halfway, we easily become indolent and apathetic.  We must be patient, and believe that inspiration will come to those who can master their disinclination.  A few days ago I told you I was working every day without any real inspiration.  Had I given way to my disinclination, undoubtedly I should have drifted into a long period of idleness.  But my patience and faith did not fail me, and today I felt that inexplicable glow of inspiration of which I told you; thanks to which I know beforehand that whatever I write today will have power to make an impression, and to touch the hearts of those who hear it.

Quoted in Eric Maisel’s A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists.

Comments are welcome!

Pearls from artists* # 362

On the Indian Ocean in Tanah Lot, Bali

On the Indian Ocean in Tanah Lot, Bali

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… if we look at the artifacts of all cultures, beauty always has attracted man’s attention.  We know when we are in its presence.  We’re held.  Different pieces of art will arrest different people, and… some pieces will arrest larger numbers of people for longer periods of time.  These are the works that are perhaps worthy of being called great art.  We have to recognize that some people today, observing the greatest works of art, or the most awesome works of nature – the Grand Canyon, for instance – give it a minute and then are ready for something else.  Insatiable for change, they are immune to deep resonance.

Art and beauty are about those resonances.  It isn’t the subject matter that holds us.  Some inexplicable reaction stops us, and we find ourselves connected with something other than ourself.  Perhaps our ‘Self’ might be a better term, to distinguish it from the self that is caught up in thoughts, worries, and distractions.  I like Ken Weber’s definition, that beauty “suspends the desire to be elsewhere.” In the face of great art, we experience transcendence.

Ian Roberts in Creative Authenticity:  16 Principles to Clarify and Deepen Your Artistic Vision

Comments are welcome!

Q: Why do you make art?

Barbara's studio

Barbara’s studio

A:  This is an excellent question and one I like to revisit because with all the day-to-day frustrations and disappointments that are a normal part of an artist’s life, it is easy to forget what is important.  

First, I make art because I have a gift and a desire to share it with others.  To not develop, express, and share all that I have to say through my work is unthinkable.

Second, I make art because it is what gives my life direction and purpose.  I believe that each human being has his or her own quest, driven by passion, to fulfill a certain duty. Recall Joseph Campbell’s, “The Hero’s Journey.”  I need to make art in order to feel that I am living up to my highest potential. 

Third, for inexplicable reasons (to me, anyway) soft pastel is an undervalued medium.  I fell in love with pastel above all other media and hope to demonstrate that great art can be created with it.  This is one of the drives that keeps me steadily working.

Comments are welcome!