Blog Archives

Pearls from artists* # 696

At the Whitney Museum
At the Whitney Museum with fellow artists

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Although it’s important to make communities with like-minded people — people who are your age, your generation, who are working on projects that have resonance with yours — I am a firm believer in crossing generations to find mentorship and inspiration, and a sense of furthering the craft. So I’d say that as you begin to seek mentorship, be creative about where you look. Look in unlikely places, and make it more likely that you will cross boundaries and reach a wider, more culturally and intellectually diverse audience.

Anna Deavere Smith in Letters to a Young Artist: Straight-Up Advice on Making a Life in the Arts — for Actors, Performers, Writers, and Artists of Every Kind”

Comments are welcome!

Pearls from artists* # 588

Screen shot from “Barbara Rachko: True Grit” Photo: Jennifer Cox

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The structure of the hand is not… “just anything;” the fingers have certain characteristic relationships, certain ranges of relative movement, certain kinds of crossing, torquing, jumping, sliding, pressing, releasing movements that guide the music to come out a certain way. Graceful work uses those patterns and instinctively moves through them and out as we find ever-fresh combinations. The shape and size of the human hand brings powerful but subtle laws into every kind of art, craftsmanship, mechanical work, and into our ideas and feelings as well. There is a continuous dialogue between hand and instrument, hand and culture. Artwork is not thought up in consciousness and then, as a separate phase, executed by the hand. The hand surprises us, creates and solves problems on its own. Often enigmas that battle our brains are dealt with easily, unconsciously, by the hand.

Stephen Nachmanovitch in Free Play: Improvisation in Life and Art

Comments are welcome!