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Pearls from artists* # 453

Carnival Masks at the Museum of Ethnography and Folklore in La Paz
Carnival Masks at the Museum of Ethnography and Folklore in La Paz, Bolivia

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Art begins in the struggle for equilibrium. One cannot create from a balanced state. Being off balance produces a predicament that is always interesting on stage. In the moment of unbalance, our animal instincts prompt us to struggle towards equilibrium and this struggle is endlessly engaging and fruitful. When you welcome imbalance in your work, you will find yourself instantly face to face with your own inclination towards habit. Habit is an artist’s opponent. In art, the unconscious repetition of familiar territory is never vital or exciting. We must try to remain awake and alive in the face of our inclinations towards habit. Finding yourself off balance provides you with an invitation to disorientation and difficulty. It is not a comfortable prospect. You are suddenly out of your element and out of control. And it is here the adventure begins. When you welcome imbalance, you will instantly enter new and unchartered territory in which you feel small and inadequate in relation to the task at hand. But the fruits of this engagement abound.

Anne Bogart in A Director Prepares: Seven Essays on Art and Theatre

Comments are welcome!

Pearls from artists* # 284

"The Magical Other," soft pastel on sandpaper, 48" x 38"

“The Magical Other,” soft pastel on sandpaper, 48″ x 38″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

We can do anything, or almost, but how balanced, magnanimous, and modest one has to be to do anything!  And also how patient.  It is as true in the arts as anywhere else.

So… to work.  It is not a non sequitur.  I shall never be one of those directly active (except as a teacher, occasionally), but now and then I am made aware that my work, odd though it seems, does help people.  But it is only in these last years at Nelson that I have known that for sure.   

May Sarton in Journal of a Solitude:  The intimate diary of a year in the life of a creative woman   

Comments are welcome!

Q: What qualities do you think mark the highest artistic achievement?

Barbara's studio

Barbara’s studio

A:  If I may speak in the most general terms, several qualities come to mind that, for me, mark real artistic achievement: 

  • firm artistic control that allows the artist to create works that simultaneously demonstrate formal coherence while responding to inner necessity
  • the creation of new forms and techniques that are adapted to expressing the artist’s highly personal vision
  • an authentic and balanced fusion of form, method, and idea
  • using material from one’s own idiosyncratic experiences and subtly transforming it in a personal inimitable way during the creative process
  • the meaning of the thing created is rigorously subordinated to its design, which once established, generates its own internal principles of harmony and coherence  

Comments are welcome! 

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