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Pearls from artists* # 453

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Art begins in the struggle for equilibrium. One cannot create from a balanced state. Being off balance produces a predicament that is always interesting on stage. In the moment of unbalance, our animal instincts prompt us to struggle towards equilibrium and this struggle is endlessly engaging and fruitful. When you welcome imbalance in your work, you will find yourself instantly face to face with your own inclination towards habit. Habit is an artist’s opponent. In art, the unconscious repetition of familiar territory is never vital or exciting. We must try to remain awake and alive in the face of our inclinations towards habit. Finding yourself off balance provides you with an invitation to disorientation and difficulty. It is not a comfortable prospect. You are suddenly out of your element and out of control. And it is here the adventure begins. When you welcome imbalance, you will instantly enter new and unchartered territory in which you feel small and inadequate in relation to the task at hand. But the fruits of this engagement abound.
Anne Bogart in A Director Prepares: Seven Essays on Art and Theatre
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Pearls from artists* # 440

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Most artists desire recognition, and the persistent lack of it may be a bitter pill to swallow. The artist who is too-soon recognized, as Norman Mailer felt himself to be, might argue that early fame is harder on the artist than years of obscurity. But the composer with a score for a powerful symphony locked away in his drawer, and the actress who has never found a way into a great drama, are hard-pressed to agree with Mailer. Similarly, the painter who has her entire output of paintings to enjoy for herself because she cannot sell them may praise her fortitude and applaud her accomplishments, but still experiences great sadness.
If you are not honored with real, appropriate recognition, you struggle not to consider yourself a failure. You may argue that it is the world that has failed you… but it is hard to take comfort in that knowledge. You need recognition more than you need accurate understanding of why recognition has eluded you. And as you deal, during your years in the trenches, with what may turn out to be a maddingly insufficient lack of recognition, you are challenged to find ways of maintaining your faith, courage, good cheer, and emotional equilibrium.
Eric Maisel, A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists
Comments are welcome!