Category Archives: Black Paintings

What’s on the easel today?

Work in progress

Work in progress

A:  I am in the very early stages of a large pastel painting.

Comments are welcome!

Start/Finish of “Charade”

Charcoal underdrawing

Charcoal underdrawing

"Charade," soft pastel on sandpaper, 38" x 58"

“Charade,” soft pastel on sandpaper, 38″ x 58″

Comments are welcome!

 

 

Q: Do you consider your finished pastel works to be drawings or paintings?

"The Sovereign," soft pastel on sandpaper, 58" x 38"

“The Sovereign,” soft pastel on sandpaper, 58″ x 38″ image, 70″ x 50″ framed

A:  Among artists who work in pastel, these two words, ‘drawings’ and ‘paintings,’ have very specific meanings, somewhat unrelated to the usual distinctions made by art historians and others.  For a pastel artist, a ‘drawing’ refers to a work in which the paper or other substrate is allowed to show through.  In a pastel ‘painting’ you do not see the substrate at all, i.e. pastel is used much more heavily in a painting than in a drawing.  Since I have always spent months creating each piece, covering the entire sandpaper ground with up to 30 layers of pigment, I have considered my work to be pastel painting.

Comments are welcome!

      

Start/Finish of “Poker Face,” soft pastel on sandpaper, 38″ x 58″image, 50″ x 70″ framed

Preliminary charcoal sketch

Preliminary charcoal sketch

Finished

Finished

Q: What’s on the easel today?

"A Long Goodbye," soft pastel on sandpaper, 26" x 20"

“A Long Goodbye,” soft pastel on sandpaper, 26″ x 20″

A:  I am putting finishing touches on a small pastel painting called, “A Long Goodbye.”  It’s a smaller, cropped version of a larger piece completed in 2013 called, “The Ancestors” (below).

"The Ancestors" in Barbara's studio

“The Ancestors” in Barbara’s studio

Comments are welcome!

Q: Start/Finish of “Epiphany,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

Roughed out in charcoal

Roughed out in charcoal

 

Finished, signed lower left

Finished, signed lower left

 

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am continuing work on a large (58″ x 38″)  pastel painting tentatively titled, “Blocked.”

Comments are welcome!

Start/Finish of “Incognito,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

C-print and preliminary charcoal sketch

C-print and preliminary charcoal sketch

Finished and signed (lower left)

Finished

Comments are welcome!

Start/Finish of “Blind Faith,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

Beginnings

Beginnings

Finished and signed (lower left)

Finished and signed (lower left)

 

Comments are welcome!

Pearls from artists* # 209

"So What?", soft pastel on sandpaper, 20" x 26"

“So What?”, soft pastel on sandpaper, 20″ x 26″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

For a young painter, life is difficult.  If he’s sincere, if he’s entirely taken up with what he’s researching, he can’t do painting that flatters art lovers.  If he’s concerned with success, he works with just the one idea:  pleasing people and selling.  He loses the support of his own conscience and is dependent on how others are feeling. He neglects his gifts and eventually loses them.

For us, the problem was simple:  the buyer simply didn’t exist.  We were working for ourselves.  We were in a trade that offered no hope at all.  So we had fun with any little thing.  I suppose people shipwrecked on a desert island must find it very jolly – all their problems have ceased to exist.  Nothing left to do but have a laugh, tell jokes, and play jokes.  Painters?  How could they ever expect to sell anything? 

Chatting with Henri Matisse:  The Lost 1941 Interview, Henri Matisse with Pierre Courthion, edited by Serge Guilbaut, translated by Chris Miller

Comments are welcome!