Category Archives: Art Works in Progress
Q: What’s on the easel today?
Work in progress
A: I am working on a small 20″ x 26″ pastel painting that doesn’t have a title yet.
Comments are welcome!
Q: What’s on the easel today?
Work in progress
A: I am working on a large 38″ x 58″ pastel painting that depicts figures found years ago in Oaxaca and Mexico City. This painting doesn’t have a title yet.
Comments are welcome!
Start/Finish of “Palaver,” soft pastel on sandpaper, 26″ x 20″
Beginning
Finished and signed
Comments are welcome!
What’s on the easel today?
Work in progress
A: I am in the very early stages of a large pastel painting.
Comments are welcome!
Q: What’s on the easel today?
“A Long Goodbye,” soft pastel on sandpaper, 26″ x 20″
A: I am putting finishing touches on a small pastel painting called, “A Long Goodbye.” It’s a smaller, cropped version of a larger piece completed in 2013 called, “The Ancestors” (below).
“The Ancestors” in Barbara’s studio
Comments are welcome!
Q: What’s on the easel today?
Work in progress
A: I am continuing work on a large (58″ x 38″) pastel painting tentatively titled, “Blocked.”
Comments are welcome!
Start/Finish of “Incognito,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed
C-print and preliminary charcoal sketch
Finished
Comments are welcome!
Start/Finish of “Blind Faith,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed
Beginnings
Finished and signed (lower left)
Comments are welcome!
Q: What significance do the folk art figures that you collect during your travels have for you?
Barbara’s studio
A: I am drawn to each figure because it possesses a powerful presence that resonates with me. I am not sure exactly how or why, but I know each piece I collect has lessons to teach.
Who made this thing? How? Why? Where? When? I feel connected to each object’s creator and curiosity leads me to become a detective and an archaeologist to find out more about them and to figure out how to best use them in my work.
The best way I can describe it: after nearly three decades of seeking out, collecting, and using these folk art figures as symbols in my work, the entire process has become a rich personal journey towards gaining greater knowledge and wisdom.
Comments are welcome!
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