Blog Archives

Q: How do you begin a photograph?

Untitled chromogenic print, 24" x 24", edition of 5

Untitled chromogenic print, 24″ x 24″, edition of 5

A:  It always begins in my mind long before I actually start making it.  By the time I take the photograph, I’ve already thought deeply about the possibilities, the formal arrangements, meanings, etc. so that setting up the objects, lighting them, and clicking the shutter feels like a reward after a long thought process.  My fine art photographs are  finished works in themselves.  However, when I select one to use as reference for a pastel painting, a different but related process of working out my ideas and translating them into pastel occurs over the next several months spent in the studio.  Of course, in that case the photo becomes only the starting point for an entirely new artwork.  

Comments are welcome!  

Q: How do you decide on the titles for your pastel paintings?

"Stigmata," soft pastel on sandpaper, 28" x 48"

“Stigmata,” soft pastel on sandpaper, 28″ x 48″

A:  Usually a title suggests itself over the course of the months I spend on a painting.  Sometimes it comes from a book I’m reading, from a piece of music, a film, bits of overheard conversation.  A title can come from anywhere, but finding the best one is key.  I like what Jean Cocteau says about this:

One title alone exists.  It will be, so it is.  Time conceals it from me.  How discover it, concealed by  a hundred others?  I have to avoid the this, the that.  Avoid the image.  Avoid the descriptive and the undescriptive.  Avoid the exact meaning and the inexact.  The soft, the hard.  Neither long nor short.  Right to catch the eye, the ear, the mind.  Simple to read and to remember.  I had announced several.  I had to repeat them twice and the journalists still got them wrong.  My real title defies me.  It enjoys its hiding place, like a child one keeps calling, and whom one believes drowned in the pond.    

Once I have the best title, I make sure it fits the painting exactly.  How I do that is difficult to explain.  It’s an intuitive process that involves adjusting colors, shapes, and images so that they fit the painting’s meaning, i.e., the meaning hinted at by the title.

Comments are welcome!