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Q: What is more important to you, the subject of the painting or the way it is executed?

"Sam and Bobo,"soft pastel on sandpaper, 36" x 31", 1989

“Sam and Bobo,”soft pastel on sandpaper, 36″ x 31”, 1989

A:  In a sense my subject matter – folk art, masks, carved wooden animals, papier mâché figures, toys – chose me.  With it I have complete freedom to experiment with color, pattern, design, and other formal properties.  In other words, although I am a representational artist, I can do whatever I want since the depicted objects need not look like real things.  Execution is everything now.

This was not always the case.  I started out in the 1980s as a traditional photorealist, except I worked in pastel on sandpaper.  (For example, see the detail in Sam’s sweater above).  As I slowly learned and mastered my craft, depicting three-dimensional people and objects hyper-realistically in two dimensions on a piece of sandpaper was thrilling… until one day it wasn’t.  

My personal brand of photorealism became too easy, too limiting, too repetitive, and SO boring to execute!  In 1989 I had at last extricated myself from a dull career as a Naval officer working in Virginia at the Pentagon.  Then after much planning, in 1997 I was a full-time professional artist working in New York.  

Certainly I was not going to throw away this opportunity by making boring photorealist art.  I wanted to do so much more as an artist:  to experiment with techniques, with composition, to see what I could make pastel do, to let my imagination play a larger role in the paintings I made. I was ready to devote the time and do whatever it took to push my art further.

After spending the early creative years perfecting my technical skills, I built on what I had learned.  I began breaking rules – slowly at first – in order to push myself onward.  And I continue to do so, never knowing what’s next.  Hopefully, in 2018 my art is richer for it.

Comments are welcome!

Q: Would you please share a few more of your pastel portraits?

"Sam and Bobo," soft pastel on sandpaper, 36" x 31", 1989

“Sam and Bobo,” soft pastel on sandpaper, 36″ x 31″, 1989

"Jules," soft pastel on sandpaper, 28" x 22", 1989

“Jules,” soft pastel on sandpaper, 28″ x 22″, 1989

"The Post Oak Jacks," soft pastel on sandpaper, 31" x 39", 1990

“The Post Oak Jacks,” soft pastel on sandpaper, 31″ x 39″, 1990

"Reunion," soft pastel on sandpaper, 38" x 58", 1990

“Reunion,” soft pastel on sandpaper, 38″ x 58″, 1990

A:   See the four above.  As in my previous post, I reshot photographs from my portfolio book so the colors above have faded.  Many years later, however, my originals are as vibrant as ever. 

“Reunion” (bottom) is the last commissioned portrait I ever made.  Early on I knew that portraiture was too restrictive and that I wanted my work to  evolve in a completely different direction.  However, I didn’t know yet what that direction would be.     

Comments are welcome!