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Q: How do you feel about accepting commissions?

"Reunion," soft pastel on sandpaper, 38" x 58", 1990

“Reunion,” soft pastel on sandpaper, 38″ x 58″, 1990

A:  By the time I left the Navy in 1989 to devote myself to making art, I had begun a career as a portrait painter.  I needed to make money, this was the only way I could think of to do so, and I had perfected the craft of creating photo-realistic portraits in pastel.  It worked for a little while. 

A year later I found myself feeling bored and frustrated for many reasons.  I didn’t like having to please a client because their concerns generally had little to do with art.  Once I ensured that the portrait was a good (and usually flattering) likeness, there was no more room for experimentation, growth, or creativity.  I believed (and still do) that I could never learn all there was to know about soft pastel.  I wanted to explore color and composition and take this under-appreciated medium as far as possible.  It seemed likely that painting portraits would not allow me to accomplish this.  Also, I tended to underestimate the amount of time needed to make a portrait  and charged too small a fee.

So I decided commissioned portraits were not for me and made the last one in 1990 (above).  I feel fortunate to have the freedom to create work that does not answer to external concerns.  

Comments are welcome!        

Q: Would you please share a few more of your pastel portraits?

"Sam and Bobo," soft pastel on sandpaper, 36" x 31", 1989

“Sam and Bobo,” soft pastel on sandpaper, 36″ x 31″, 1989

"Jules," soft pastel on sandpaper, 28" x 22", 1989

“Jules,” soft pastel on sandpaper, 28″ x 22″, 1989

"The Post Oak Jacks," soft pastel on sandpaper, 31" x 39", 1990

“The Post Oak Jacks,” soft pastel on sandpaper, 31″ x 39″, 1990

"Reunion," soft pastel on sandpaper, 38" x 58", 1990

“Reunion,” soft pastel on sandpaper, 38″ x 58″, 1990

A:   See the four above.  As in my previous post, I reshot photographs from my portfolio book so the colors above have faded.  Many years later, however, my originals are as vibrant as ever. 

“Reunion” (bottom) is the last commissioned portrait I ever made.  Early on I knew that portraiture was too restrictive and that I wanted my work to  evolve in a completely different direction.  However, I didn’t know yet what that direction would be.     

Comments are welcome! 

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