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Q: How do you feel about accepting commissions?

"Reunion," soft pastel on sandpaper, 38" x 58", 1990

“Reunion,” soft pastel on sandpaper, 38″ x 58″, 1990

A:  By the time I left the Navy in 1989 to devote myself to making art, I had begun a career as a portrait painter.  I needed to make money, this was the only way I could think of to do so, and I had perfected the craft of creating photo-realistic portraits in pastel.  It worked for a little while. 

A year later I found myself feeling bored and frustrated for many reasons.  I didn’t like having to please a client because their concerns generally had little to do with art.  Once I ensured that the portrait was a good (and usually flattering) likeness, there was no more room for experimentation, growth, or creativity.  I believed (and still do) that I could never learn all there was to know about soft pastel.  I wanted to explore color and composition and take this under-appreciated medium as far as possible.  It seemed likely that painting portraits would not allow me to accomplish this.  Also, I tended to underestimate the amount of time needed to make a portrait  and charged too small a fee.

So I decided commissioned portraits were not for me and made the last one in 1990 (above).  I feel fortunate to have the freedom to create work that does not answer to external concerns.  

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