Blog Archives

Pearls from artists* # 628

Beginning

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

We have nothing to go by, but still, we must begin. It requires chutzpah – the Yiddish word for that ineffable combination of courage and hubris – to put down one word, then another, perhaps even accumulate a couple of flimsy pages, so few that they don’t even firm the smallest of piles, and call it the beginning of a novel.Or memoir.Or story.Or anything, really rather than a couple of flimsy pages.

When I’m between books, I feel as if I will never have another story to tell.The last book has wiped me out, has taken everything from me, everything I understand and feel and know and remember, and … that’s it.There’s nothing left.A low-level depression sets in.The world hides its gifts from me.It has taken me years to realize that this feeling, the one of the well being empty, is as it should be.It means I’ve spent everything.And so I must begin again.

I wait.

I try to be patient. I remember Colette, who wrote that her most essential art was “not that of writing, but the domestic task of knowing how to wait, to conceal, to save up crumbs, to reglue, regild, change the worst into the not-so-bad, how to lose and recover in the same moment that frivolous thing, a taste for life.”Colette’s words, along with those of a few others, have migrated from one of my notebooks to another for over twenty years now.It’s wisdom I need to remember – wisdom that is easy to forget.

Dani Shapiro in Still Writing: The Perils and Pleasures of a Creative Life

Comments are welcome!

Pearls from artists* # 516

Mask photographed at MUSEF, La Paz, Bolivia

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on

In Oruro, Bolivia, devotion to the Virgin del Socavon (Virgin of the Mineshaft) migrated from the fixed festival of Candlemas (2 February) to the movable feast of Carnival. By delaying their public devotion to the Virgin until the four-day holiday before Ash Wednesday, Oruro’s miners were able to enjoy a longer fiesta than if they had confined it to a single saint’s day. During Oruro’s Carnival, thousands of devils dance through the streets before unmasking in the Sanctuary of the Mineshaft to express devotion to the Virgin.

Evidently, the festive connotation of devils is not always demonic. In Manresa [Spain], the demons and dragons celebrate the restoration of liberty after a brutal civil war and subsequent dictatorship [General Francisco Franco]. In Oruro… the masked devils protest exploitation of indigenous miners by external forces and devote themselves to a Virgin who blesses the poor and marginalized. Festive disorder generally dreams not of anarchy but of a more egalitarian order.

Max Harris in Carnival and other Christian Festivals: Folk Theology and Folk Performance

Comments are welcome!