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Pearls from artists* # 516

Mask photographed at MUSEF, La Paz, Bolivia

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on

In Oruro, Bolivia, devotion to the Virgin del Socavon (Virgin of the Mineshaft) migrated from the fixed festival of Candlemas (2 February) to the movable feast of Carnival. By delaying their public devotion to the Virgin until the four-day holiday before Ash Wednesday, Oruro’s miners were able to enjoy a longer fiesta than if they had confined it to a single saint’s day. During Oruro’s Carnival, thousands of devils dance through the streets before unmasking in the Sanctuary of the Mineshaft to express devotion to the Virgin.

Evidently, the festive connotation of devils is not always demonic. In Manresa [Spain], the demons and dragons celebrate the restoration of liberty after a brutal civil war and subsequent dictatorship [General Francisco Franco]. In Oruro… the masked devils protest exploitation of indigenous miners by external forces and devote themselves to a Virgin who blesses the poor and marginalized. Festive disorder generally dreams not of anarchy but of a more egalitarian order.

Max Harris in Carnival and other Christian Festivals: Folk Theology and Folk Performance

Comments are welcome!

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