Blog Archives

Q: Did you formally study art? (Question from “Cultured Focus Magazine”)

International Center of Photography website

A: My bachelor’s degree in Psychology is from the University of Vermont.  I did not formally study art, unless you want to count the several years-worth of drawing and painting classes I took at the Art League School in Alexandria, VA. I never went to art school so do not have a bachelor’s or master’s degree in art.  

Much later, in the early 2000s, I was compelled to study photography at the International Center of Photography in New York.  This is a rather long story.

On September 11, 2001, my husband Bryan Jack, a high-ranking federal government employee, a brilliant economist and a budget analyst at the Pentagon, was on his way to present his monthly guest lecture in economics at the Naval Postgraduate College in Monterey, CA. He was a passenger on the plane that departed from Dulles Airport and was high-jacked and crashed into the Pentagon.  

Losing Bryan on 9/11 was the biggest shock of my life, devastating in every way imaginable. We were soulmates and newly married. I have lived with his loss every single day for more than twenty years now.  Life has never been the same.

In the summer of 2002 I was beginning to feel ready to get back to work. Learning about photography and cameras became essential avenues to my well-being.  

My first challenge was learning how to use Bryan’s 4 x 5 view camera. Bryan had always taken the 4 x 5 negatives from which I derived the reference photos that were essential tools for making pastel paintings. I enrolled in a one-week view camera workshop at the International Center of Photography in New York.  Surprisingly, it was very easy. I had derived substantial technical knowledge just from watching Bryan for many years.

After the view camera workshop, I decided to throw myself into learning this new medium, beginning with Photography I. I spent the next few years taking many classes at ICP and learning as much as I could. Eventually, I learned how to use Bryan’s extensive collection of film cameras, to properly light the setups that served as subject material for my “Domestic Threats” pastel paintings, and to make my own large chromogenic prints in a darkroom. 

Then in October 2009 I was invited to present a solo photography exhibition at a gallery in New York. Continuing to make art after Bryan’s death had seemed like such an impossibility. I remember thinking how proud he would have been to know I became a good photographer.

Comments are welcome!

Q: How did you happen to have a photograph published in The Wall Street Journal?

Sun Tunnels by Nancy Holt

Sun Tunnels by Nancy Holt

   A.  That is a long story.  To get far away from New York for the ten-year anniversary of 9/11, my friend, Donna Tang, and I planned a two-week road trip to see land art sites in Arizona, New Mexico, Utah, and Colorado. (Donna did excellent research).                                                      

We hoped for a private tour of Roden Crater with James Turrell, which is not easy to arrange.  I had also invited my friend Ann Landi, an art critic and arts writer, to join us, hoping she might get an interview with Turrell and write an article for Artnews.  Turrell has been working on Roden Crater for 30+ years so Ann was interested in seeing it too!  Ann contacted Turrell’s gallery – Gagosian – but they later relayed Turrell’s refusal.  

We were planning to see other land art sites.  As an alternative to Roden Crater and Turrell, Ann pitched a story to The Wall Street Journal about Sun Tunnels and Nancy Holt (Robert Smithson’s wife, who as the only woman in the land art movement, has never been given her due).   The Journal said yes, so Ann made plans to join Donna and me in Salt Lake City.  

The three of us visited Sun Tunnels, Spiral Getty, and other sites together.  Ann had a brand new point-and-shoot camera that she hadn’t yet learned how to use.  I always take lots of photos whenever I travel.  After we returned home, I sent Ann a few images and she asked permission to submit them with her article.  I was thrilled when The Wall Street Journal requested JPEGs.  It was the first time I’ve had a photograph published in a major newspaper.

Comments are welcome!