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Pearls from artists* # 393

With my favorite interview

With my favorite interview

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… Fernhoffer’s a man in love with our art, a man who sees higher and farther than other painters.  He’s meditated on the nature of color, on the absolute truth of line, but by dint of so much research, he has come to doubt the  very object of his investigations.  In moments of despair, he claims that drawing doesn’t exist and that lines are only good for rendering geometrical figures, which is far from the truth, since with line and with black, which is not a color, we can create a human figure.  There’s your proof that our art is like nature itself, composed of an infinity of elements:  drawing accounts for the skeleton, color supplies life, but life without a skeleton is even more deficient than a skeleton without life.  Lastly, there’s something even truer than all this, which is that practice and observation are everything to a painter; so that if reasoning and poetry argue with our brushes, we wind up in doubt, like our old man here, who’s as much a lunatic as he is a painter — a sublime painter who had the misfortune to be born into wealth, which has allowed him to wander far and wide.  Don’t do that to yourself!  A painter should philosophize only with a brush in his hand!

Honore Balzac in The Unknown Masterpiece

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Pearls from artists* # 181

"Epiphany," soft pastel on sandpaper, 38" x 58"

“Epiphany,” soft pastel on sandpaper, 38″ x 58″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It takes courage to face the unfamiliar, to espouse the different; courage to fight one’s own prejudices only less than those of others.  Was it not a little child who first dared call the emperor naked?  It took great fortitude for Kepler to adhere to his new notion of infinity (as the second focus of a parabola), for, as he said, “The idea seems absurd, but I can find no flaw in it”; just as it did for Galileo to murmur among his inquisitors, “Yet the world does move.”  Most of us will never achieve great imaginative insights; we might at least attempt to be tolerant of those offered by others.

The Biological Basis of Imagination by R.W. Gerard in The Creative Process edited by Brewster Ghiselin

Comments are welcome!

 

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