Blog Archives
Q: Your pastel-on-sandpaper paintings are very labor intensive. Do you typically have just one in progress at any given time?
Works in progress, soft pastel on sandpaper, 58″ x 38″
A: For many years I always worked on one at a time because I have only one or two ideas – never more than that – about what I will make next. Also, I believe that “all art is the result of one’s having gone through an experience to the end.” (It’s on a note taped to the wall near my easel). So I would work on one painting at a time until all of the problems in it were resolved. Each piece that I undertake represents an investment of several months of my life and after nearly three decades as an artist, I know that once I start a piece I will not abandon it for any reason. When it is the best painting that I can make – when adding or subtracting anything would be a diminishment – I pronounce it “finished.” In the past I would start the next one only when the completed piece was out of my sight and at the frame shop.
But a few years ago I began working on two pastel paintings at a time. When I get stuck – or just need a break from looking at the same image day after day (I am in my studio 5 days a week) – I switch to the other one. This helps me work more efficiently. The two paintings interact with each other; they play off of each other and one suggests solutions that help me to resolve problem areas in the other. I’m not sure exactly how this happens – maybe putting a piece aside for awhile alerts my unconscious to begin working deeply on it – but having two in progress at the same time is my preferred way of working now.
A note about the painting on the left above, which was previously called, “Judas.” I happen to be reading “Cloud Atlas,” by David Mitchell and came across the word “judasing” used as a verb meaning, “doing some evil to a person who profoundly trusted you.” I’d never heard the word before, but it resonated with an event in my personal life. So the new title of my painting is “Judasing.” This is a good reminder that work and life are inextricably (and inexplicably) woven together and that titles can come from anywhere!
Comments are welcome!
Q: What’s on the easel today?
Work in progress
A: I’m continuing work on “Judas,” a piece I started some weeks ago. A second in-progress pastel-on-sandpaper painting is on the right in the photo above.
Comments are welcome!
Q: What’s on the easel today?
“Stalemate” in progress, soft pastel on sandpaper
A: A large pastel painting with the working title, “Stalemate.” For this one I went back and looked at some of my older 35 mm negatives. I selected one from 2002 and made the photographic print you see above, clipped to the left side of my easel. This piece is unusual because I’m painting the figures much larger than life size. I like what’s happening, but it’s slow going.
The title, “Stalemate,” is one I thought of some twenty-odd years ago, when I worked on a very different pastel painting – a table top still life – by that name. Somehow I couldn’t resolve some problems in the composition so I never finished it. I haven’t seen it in years, but it’s probably sitting in my Alexandria basement someplace.
Comments are welcome!
