Posted on October 26, 2019, in 2019, An Artist's Life, Creative Process, Inspiration, Working methods and tagged "the work", abilities, anywhere, appealing, appreciate, arrived, art world, art-making, artist, ”Why Do I Make Art by Ursula von Rydingsvard”, behind, benefits, bringing, challenge, change, collector, color, commute, continual, creation, creative process, decide, deserve, despite, develop, devoted, different, discover, enormous, entails, entire, enviable, evolved, exciting, experiencing, fascinating, favorite, figuring out, foreign, framed, framer, future generations, hanging, High Line, how to think, immediately, important, incorporated, instead, intend, internet, late bloomer, learning, leaving, life's work, listed, make all the rules, make art, meaning, medium, months, morning, moving, my time on earth, myself, National Museum of Women in the Arts”, obligation, obstacles, otherwise, packing, particular, passion, pastel painting, personal, physicality, places, possible, precious, properties, Public Radio, purpose, realizing, reasons, reflect, relationship, remembered, research, sacred, seeing, social media, solitary, solitude, Source Material, spend the day, spirit, stations, staying fit, staying in touch, Studio, succeeding, talker, techniques, the world, thinker, told what to do, tourists, tragedy, travel, tremendous, tune out, twists and turns, understand, unexpected, uplifted, urgent problems, Ursula von Rydingsvard, Virginia, walking, wall text, wondering, working, years-long. Bookmark the permalink. Comments Off on Q: Why do you make art?.
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- Pearls from artists* # 693
- Q: You started the Bolivianos series in 2017. It has been 8 years since you created The Champ. This endeavor of focussing on a series for almost a decade’s timeline shows that you embody stability as against many artists who tend to hop on to the next inspiration they find. How has discipline, stability, focus and punctuality defined your works apart from being inspired by Bolivian culture for the series Bolivianos? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 692
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RSS- Pearls from artists* # 693
- Q: You started the Bolivianos series in 2017. It has been 8 years since you created The Champ. This endeavor of focussing on a series for almost a decade’s timeline shows that you embody stability as against many artists who tend to hop on to the next inspiration they find. How has discipline, stability, focus and punctuality defined your works apart from being inspired by Bolivian culture for the series Bolivianos? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 692
- Q: Another exhibition was described as “a journey from identity to authenticity.” Does that resonate? (Question from “Pastel, Passion, and Perseverance: An Interview with Barbara Rachko” in .ART Odyssey: Healing)
- Pearls from artists* # 691
- Start/Finish of “Showman,” soft pastel on sandpaper, 26” x 20”
- Pearls from artists* # 690
- Q: You take 3-4 months to complete one artwork. How do you plan a series such as Bolivianos over a year’s timeline and over the years? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 689
- Q: Over your 40-year career as an artist, you have managed to keep presentation, technical, subject matter, conceptual consistencies in your art practice and work. How do you manage to filter out inspirations that might be luring at that moment but do not support your art practice? For example, you master pastel works. There must have been moments when you might have been inspired to make oil works. How do you keep such inspirations aside. (Question from Vedica Art Studios and Gallery)
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