Posted on February 8, 2014, in 2014, An Artist's Life, Art Works in Progress, Black Paintings, Creative Process, Inspiration, New York, NY, Pastel Painting, Photography, Quotes, Studio and tagged agree, Annie Liebovitz, answer, answered, anything, applies, art, artist, audience, battle, bold, building, completely, continue, create, devoting, dialogue, difficult, doing, early, earth, easier, endlessly, everything, evolve, existed, expanding, fascinating, friends, future, innovative, intellectual, interviewed, journey, last, life, medium, myself, notice, ongoing, opportunities, painter, painting, pastel paintings, people, photographer, preliminary, process, push, question, radio, recently, remember, richer, saying, Sisyphus, soft pastel, sometimes, spending, stage, Studio, tasks, time, toughest, understand, uphill, value, vibrant, watching, wherever, work. Bookmark the permalink. 2 Comments.
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- Q: You take 3-4 months to complete one artwork. How do you plan a series such as Bolivianos over a year’s timeline and over the years? (Question from Vedica Art Studios and Gallery)
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- Q: Over your 40-year career as an artist, you have managed to keep presentation, technical, subject matter, conceptual consistencies in your art practice and work. How do you manage to filter out inspirations that might be luring at that moment but do not support your art practice? For example, you master pastel works. There must have been moments when you might have been inspired to make oil works. How do you keep such inspirations aside. (Question from Vedica Art Studios and Gallery)
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- Q: You’re also known for being remarkably consistent with your blog and writing. How do you keep that rhythm? (Question from “Pastel, Passion, and Perseverance: An Interview with Barbara Rachko” in .ART Odyssey: Healing)
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- Q: You read books on Friedrich Nietzsche and other philosophers. How has philosophy and your personal experience shaped the latest series, Bolivianos? (Question from Vedica Art Studios and Gallery)
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Hi Barbara:
Thought-provoking topic. Traditional methods of audience development i.e. private and public exhibitions locally and distant do yield results. However not as much as one desires. Something that does work well is serving on boards, committees, etc that are not necessarily art related. Once members discover your are an artist they often are anxious to see your work, ask to attend your studio and shows, tell others even though they may not have been interested in art. The other approach is not to work too hard at building but more so servicing well the audience before you. Repetitive sales can add up!
Best regards,
Bruce
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