Blog Archives
Pearls from artists* # 650

Some of Barbara’s Mexican and Guatemalan folk art collection
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Art objects are not just gifts for the viewer: they can hold profound, even mystical, revelations for the maker. When actualizing work that comes from your core, one of the greatest sources of pleasure is the recording of your art life journey, with the serendipitous connections, the seminal players, and meaningful symbols that return again and again. Art is an unconscious language that knows more about you than you know about yourself.
Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice
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Pearls from artists* # 493

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Professional opportunities in the art world almost always come out of personal connections, and community – almost by definition – is the way to make them. That’s not a prescription for superficial networking or obnoxious self-promotion, neither of which will get you anywhere. It means realizing that the chance to get a piece into a group show or meet a gallerist will probably come through someone you know and rspect, who knows and respects you.
Depending on your temperament, building community can feel daunting, artificial, or fun. There’s no need to subject yourself to awkward conversation at stuffy cocktail parties. Just keep in touch with your friends and professors from art school, attend local openings, and be open to meeting new people at events. If you’re shy, bring a friend along. It’s easier to break your way into conversation when you have a sidekick, and then you can talk about each other’s work instead of your own.
In Art/Work: Everything You Need to Know (and Do) As You Pursue Your Art Career by Heather Darcy Bhandari and Jonathan Melber
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Q: Do you enjoy being interviewed?
A: I do very much. Each new interview is another opportunity to discover what is remembered, what is kept because it still seems important, and how certain details are selected from amongst all the accumulated memories of a lifetime. My own story is continually evolving as some facts are left out or rearranged, and others added. New connections keep being made while some others are discarded. I find it fascinating to read over old interviews and compare them with what I remember in the present.
Comments are welcome!
