Blog Archives

Pearls from artists* # 213

Matisse Book Cover

Matisse Book Cover

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I am astonished by the accuracy with which Matisse remembers the most trifling facts; he describes  a room that he went into forty years ago and gives you the measurements, where every piece of furniture stood, how the light fell.  He is a man of astounding precision and has little time for anything that he has not confirmed for himself.   In art matters, he is not the sort to go looking for a profile fortuitously created by cracks in the wall.  Elie Faure writes that Matisse is perhaps the only one of his contemporaries (in particular Marquet and Bonnard) to know exactly where he comes from and the only one who never allows it to show “because his inveterate, invincible, vigilant willpower is always focused on being himself and nothing but.”

Matisse neglects nothing.  He seems to know as much about the art market as about painting.

So many stratagems to sell a painting, from intimidating the purchaser to seeming to avoid him:  Vollard used them all and used them successfully.  Not least the lies that he told to  reassure the client.  “It works like this,” says Matisse:  “To make a sale, you invent lies that have somehow disappeared into thin air by the time the deal is done.”

We talk of the difficulties faced by dealers hoping to gain access to Renoir in his Cagnes residence.  Renoir didn’t like having people talk to him about selling his work,” says Matisse:  “It bored him.  About the only one who got a foot in the door was Paul Guillaume; he dressed up as a young worker with a floppy necktie:  “You see, I’m a local.  I’ve always loved your painting.  I’ve just inherited a little money; I’d like to buy something.”       

Chatting with Henri Matisse:  The Lost 1941 Interview, Henri Matisse with Pierre Courthion, edited by Serge Guilbaut, translated by Chris Miller

Comments are welcome! 

Pearls from artists* # 16

"Big Deal," soft pastel on sandpaper

“Big Deal,” soft pastel on sandpaper

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

For the artist drawing is discovery.  And that is not just a slick phrase, it is quite literally true.  It is the actual act of drawing that forces the artist to look at the object in front of him, to dissect it in his mind’s eye and put it together again; or, if he is drawing from memory, that forces him to dredge his own mind, to discover the content of his own store of past observations.  It is a platitude in the teaching of drawing that the heart of the matter lies in the specific process of looking.  A line, an area of tone, is not really important because it records what you have seen, but because of what it will lead you to see.  Following up its logic in order to check its accuracy, you find confirmation or denial in the object itself or in your memory of it.  Each confirmation or denial brings you closer to the object, until finally you are, as it were, inside it:  the contours you have drawn no longer marking the edge of what you have seen, but the edge of what you have become.  Perhaps that sounds needlessly metaphysical.  Another way of putting it would be to say that each mark you make on the paper is a stepping-stone from which you proceed to the next, until you have crossed your subject as though it were a river, have put it behind you.

Geoff Dyer, editor, Selected Essays:  John Berger

Comments are welcome.

%d bloggers like this: