Q: You have written about how you came to your current subject matter, but what led you away from photorealism to work that while not exactly abstract, leans more in that direction?

Barbara's studio

Barbara’s studio

A:  Once I had achieved a high degree of technical facility with soft pastel, there was not much more to be gained from copying reality.  Cameras do an excellent job of that so what would be the point? 

Ultimately, all art lies in following an experience through to the end.  Art is in the choices one makes.  A visual artist’s private decisions about what to include and what to leave out become her unique inimitable style.  Years ago I made a conscious decision to abandon photorealism.  Since then I have been on a journey to work more from imagination and direct experience and less from physical reality. 

It’s funny.  I have always worked from photographs.  Because I have a strong work ethic and substantial technical skill, I often feel like a slacker if I do not put in all the details that I see in the reference photo.  That’s why the journey has been so slow, I think, as I convince myself it’s really ok to omit more and more details.  

Comments are welcome!       

About barbararachkoscoloreddust

Barbara’s thoughts on art and the creative process, soft pastel, the inspiration she finds in travel, what it’s like to be an artist in New York, and other wisdom for artists as we travel our lonely roads.

Posted on January 17, 2015, in An Artist's Life, Art in general, Art Works in Progress, Black Paintings, Creative Process, New York, NY, Pastel Painting, Photography, Studio, Working methods and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink. Comments Off on Q: You have written about how you came to your current subject matter, but what led you away from photorealism to work that while not exactly abstract, leans more in that direction?.

Comments are closed.

%d bloggers like this: