Posted on January 17, 2015, in 2015, An Artist's Life, Art in general, Art Works in Progress, Black Paintings, Creative Process, New York, NY, Pastel Painting, Photography, Studio, Working methods and tagged abandon, abstract, achieved, art, artist, away, came, cameras, choices, conscious, convince, copying, decision, degree, details, direct, direction, end, ethic, example, excellent, experience, facility, feel, following, funny, gained, imagination, include, inimitable, job, journey, leans, leave, led, lies, makes, matter, myself, omit, photographs, photorealism, physical, point, reality, reference, see, skill, slacker, slow, soft pastel, still, strong, Studio, subject, substantial, technical, through, ultimately, unique, visual, work, written. Bookmark the permalink. Comments Off on Q: You have written about how you came to your current subject matter, but what led you away from photorealism to work that while not exactly abstract, leans more in that direction?.
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RSS- Q: What’s on the easel today?
- Pearls from artists* #694
- Q: Many artists can’t bear to face “a blank canvas.” How do you feel about starting a new piece?
- Pearls from artists* # 693
- Q: You started the Bolivianos series in 2017. It has been 8 years since you created The Champ. This endeavor of focussing on a series for almost a decade’s timeline shows that you embody stability as against many artists who tend to hop on to the next inspiration they find. How has discipline, stability, focus and punctuality defined your works apart from being inspired by Bolivian culture for the series Bolivianos? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 692
- Q: Another exhibition was described as “a journey from identity to authenticity.” Does that resonate? (Question from “Pastel, Passion, and Perseverance: An Interview with Barbara Rachko” in .ART Odyssey: Healing)
- Pearls from artists* # 691
- Start/Finish of “Showman,” soft pastel on sandpaper, 26” x 20”
- Pearls from artists* # 690
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