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Pearls from artists* # 153

“So What?”, soft pastel on sandpaper, 20″ x 26″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Ours is an excessively conscious age.  We know so much, we feel so little.  I have lived enough around painters and around studios to have had all the theories – and how contradictory they are – rammed down my throat.  A man has to have a gizzard like an ostrich to digest all the brass tacks and wire nails of modern art theories.  Perhaps all the theories, the utterly indigestible theories, like nails in an ostrich’s gizzard, do indeed help to grind small and make digestible all the emotional and aesthetic pabulum that lies in an artist’s soul.  But they can serve no other purpose.  Not even corrective.  The modern theories of art make real pictures impossible.  You only get these expositions, critical ventures in paint, and fantastic negations.  And the bit of fantasy that may lie in the negation – as in a Dufy or a de Chirico – is just the bit that has escaped theory and perhaps saves the picture.  Theorise, theorise all you like – but when you start to paint, shut your theoretic eyes and go for it with instinct and intuition.

D.H. Lawrence:  Making Pictures in The Creative Process, edited by Brewster Ghiselin

Comments are welcome! 

Pearls from artists* # 76

Cabo San Lucas, Mexico

Cabo San Lucas, Mexico

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

What stops us in our tracks?   I am rarely stopped by something or someone I can instantly know.  In fact, I have always been attracted to the challenge of getting to know what I cannot instantly categorize or dismiss, whether an actor’s presence, a painting, a piece of music, or a personal relationship.  It is the journey towards the object of attraction that interests me.  We stand in relation to one another.  We long for the relationships that will change our vistas.  Attraction is an invitation to an evanescent journey, to a new way of experiencing life or perceiving reality.

An authentic work of art embodies intense energy.  It demands response.  You can either avoid it, shut it out, or meet it and tussle.  It contains attractive and complicated energy fields and a logic all its own.  It does not create desire or movement in the receiver, rather it engenders what James Joyce labeled ‘aesthetic arrest.’ You are stopped in your tracks.  You cannot easily walk by it and go on with your life.  You find yourself in relation to something that you cannot readily dismiss.

Anne Bogart in A Director Prepares:  Seven Essays on Art and Theater 

Comments are welcome!