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Q: Can we see more of your photographs from Sri Lanka?

Buddhist monk, Sri Lanka

Buddhist monk, Sri Lanka

Sri Lanka

Sri Lanka

Cave temple, Natha Devale, Sri Lanka

Cave temple, Natha Devale, Sri Lanka

Tuk-tuk ride, Sri Lanka

Tuk-tuk ride, Sri Lanka

Bathing elephants before the Esala Perahera Festival, Kandy, Sri Lanka

Bathing elephants before the Esala Perahera Festival, Kandy, Sri Lanka

Q: You recently spent several weeks in Sri Lanka. After experiencing so many new sights and sounds, is it difficult to get back to work in your studio?

Cave temple at Natha Devale, Sri Lanka

Cave temple at Natha Devale, Sri Lanka

A:  It definitely requires some readjustment and a period –  maybe a day or two – during which I feel removed from the painting on my easel and need time to become reacquainted with it.  It’s a time to refocus, stay put, and reflect.  For weeks I’ve led an action-packed life, exploring a fascinating country on the other side of the world.  Over time, all of the experiences I’ve had will stay with me, or not, and in some ways begin to influence my work. 

It’s funny.  I often think of my studio as a cave.  It’s a rather dark place and sometimes I have to force myself to go.  In Sri Lanka I saw many ancient Buddhist cave temples, wild and vibrant, with colorful paintings on the walls and ceilings, chock full of statues of Buddha and other deities.  My travels have given me a new appreciation of the riches to be found in caves of all sorts, including (especially) my own studio!    

Comments are welcome!         

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