Blog Archives
Q: Do you use air filters in your studio?
Pastel detritus
A: No, but I wear a surgical mask when I work, to prevent accidentally breathing the pastel dust. Also, I apply a barrier cream, called Artgard, to my hands to prevent pigment being absorbed into my skin through any cuts I might have. I take care that my head is always higher than my hand as I work, so the dust falls below my mouth and nose.
It may be hard to tell from the photo but my easel is tilted forward, allowing pastel dust to fall onto the easel and floor. I am well aware of the toxicity of pastel and believe I take the proper precautions. After forty years working with soft pastel, so far I’ve managed to stay healthy.
Comments are welcome.
Pearls from artists* # 639
Barbara’s Studio
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
… my deep and lifelong conviction [is] that the results of my work don’t have much to do with me. I can only be in charge of producing the work itself. That’s a hard enough job. I refuse to take on additional jobs, such as trying to police what anybody thinks about my work once it leaves my desk.
Also, I realized it would be unreasonable and immature of me to expect that I should be allowed to have a voice of expression, but other people should not. If I am allowed to speak my inner truth, then my critics are allowed to speak their inner truths, as well. Fair’s fair. If you dare to create something and put it out there, after all, then it may accidentally stir up a response. That’s the natural order of life: the eternal inhale and exhale of action and reaction. But you are definitely not in charge of the reaction – even when the reaction is bizarre.
Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear
Comments are welcome!
