Posted on December 6, 2014, in 2014, An Artist's Life, Art in general, Art Works in Progress, Black Paintings, Creative Process, Domestic Threats, Inspiration, Painting in General, Pastel Painting, Photography, Studio, Working methods and tagged after, always, another, around, art, background, better, between, biggest, black, Black Paintings, bright, browns, Bryan, changed, choice, city, colorful, comments, consciously, continuing, contrast, correct, course, crashed, create, dark, dealing, deep, difficult, Domestic Threats, dress, easier, effective, emerging, emotions, ended, endure, establish, exactly, extremely, famously, feeling, figures, first, full, generally, great, greys, happier, harder, horribly, however, husband, impressed, intense, interesting, killed, life, light, literally, lived, lonely, losing, loss, mainly, making, married, mix, New York, onboard, paintings, palette, partly, Pentagon, pieces, plane, post-9/11, prelude, question, rather, recent, resumed, reveal, senselessly, September, series, shock, something, speak, struggle, summer, synergy, tension, terms, themselves, time, together, tones, tragically, viewed, wildly, winter, work. Bookmark the permalink. Comments Off on Q: Another interesting series of yours that has impressed me is your recent “Black Paintings.” The pieces in this series are darker than the ones in “Domestic Threats.” You create an effective mix between the dark background and the few bright tones, which establish such a synergy rather than a contrast, and all the dark creates a prelude to light. It seems to reveal such a struggle, a deep tension, and intense emotions. Any comments on your choice of palette and how it has changed over time?.
Make a Donation
RSS- Travel photo of the month* September 24, 2022
- Pearls from artists* # 525 September 21, 2022
- Q: What’s on the easel today? September 17, 2022
- Pearls from artists* # 524 September 14, 2022
- Q: Would you describe your current work in a few sentences? September 10, 2022
- Pearls from artists* # 523 September 7, 2022
barbararachkoscoloreddust.com 
Q: Another interesting series of yours that has impressed me is your recent “Black Paintings.” The pieces in this series are darker than the ones in “Domestic Threats.” You create an effective mix between the dark background and the few bright tones, which establish such a synergy rather than a contrast, and all the dark creates a prelude to light. It seems to reveal such a struggle, a deep tension, and intense emotions. Any comments on your choice of palette and how it has changed over time?
Dec 6
Posted by barbararachkoscoloreddust
West 29th Street studio
A: That is a great question!
You are correct that my palette has darkened. It’s partly from having lived in New York for so long. This is a generally dark city. We famously dress in black and the city in winter is mainly greys and browns.
Also, the “Black Paintings” are definitely post-9/11 work. My husband, Bryan, was tragically killed onboard the plane that crashed into the Pentagon. Losing Bryan was the biggest shock I ever have had to endure, made even harder because it came just 87 days after we had married. We had been together for 14 ½ years and in September 2001 were happier than we had ever been. He was killed so horribly and so senselessly. Post 9/11 was an extremely difficult, dark, and lonely time.
In the summer of 2002 I resumed making art, continuing to make “Domestic Threats” paintings. That series ran its course and ended in 2007. Around then I was feeling happier and had come to better terms with losing Bryan (it’s something I will never get over but dealing with loss does get easier with time). When I created the first “Black Paintings” I consciously viewed the background as literally, the very dark place that I was emerging from, exactly like the figures emerging in these paintings. The figures themselves are wildly colorful and full of life, so to speak, but that black background is always there.
Comments are welcome!
Share this:
Like this:
Related
About barbararachkoscoloreddust
Barbara’s thoughts on art, the creative process, soft pastel, the inspiration she finds in travel, what it’s like to be an artist in New York, and other wisdom for artists as we travel our solitary and sometimes lonely roads.