Blog Archives
Pearls from artists* # 329
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
A painting is not a joke. If you aren’t serious, every single time you cheat by not being serious, every time you cut a corner, you are making a record of your stupidity and you won’t be able to take it back. In the end the painting is the sum of everything you have put into it. Sometimes it’s a sum of stupidity. Something stupid can never be erased – if you put down black and afterward you put a red on top to correct it, your red will not be red.
Louise Bourgeois: Destruction of the Father, Reconstruction of the Father: Writings and interview 1923-1997, edited and with texts by Marie-Laure Bernadac and Hans-Ulrich Obrist
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Pearls from artists* # 294
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Interviewer: Well, to begin – do you feel that you were born in a place and a time, and to a family all of which combined favorably to shape you for what you were to do?
Wilder: Comparisons of one’s lot with others’ teaches us nothing and enfeebles the will. Many born in an environment of poverty, disease, and stupidity, in an age of chaos, have put us in their debt. By the standards of many people, and by my own, these dispositions were favorable – but what are our judgments in such matters? Everyone is born with an array of handicaps – even Mozart, even Sophocles – and acquires new ones. In a famous passage, Shakespeare ruefully complains that he was not endowed with another’s “scope”! We are all equally distant from the sun, but we all have a share in it. The most valuable thing I inherited was a temperament that does not revolt against Necessity and that is constantly renewed in Hope. (I am alluding to Goethe’s great poem about the problem of each man’s “lot” – the Orphische Worte).
Thornton Wilder in Writers at Work: The Paris Review Interviews First Series, edited, and with an introduction by Malcolm Crowley
Comments are welcome!