Blog Archives

Pearls from artists* # 272

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

One important distinction that can be made between physicists and novelists, and between the scientific and artistic communities in general, is what I shall call “naming.”  Roughly speaking, the scientist tries to name things and the artist tries to avoid naming things.

To name a thing, one needs to have gathered it, distilled and purified it, attempted to identify it with clarity and precision.  One puts a box around the thing and says what’s in the box is the thing and what’s not is not…

… The objects and concepts of the novelist cannot be named.  The novelist might use the words love and fear, but these names do not summarize or convey much to the reader.  For one thing, there are a thousand different kinds of love…

… Every electron is identical, but every love is different.

The novelist doesn’t want to eliminate these differences, doesn’t want to clarify and distill the meaning of love so that there is only a single meaning… because no such distillation exists.  And any attempt at such a distillation would undermine the authenticity of readers’ reactions, destroying the delicate, participatory creative experience of a good reader reading a good book.  In  sense, a novel is not complete until it is read.  And each reader completes the novel in a different way.     

Alan Lightman in A Sense of the Mysterious:  Science and the Human Spirit

Comments are welcome!

Pearls from artists* # 31

A corner of Barbara's studio

A corner of Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

When we are children we unquestioningly see the objects around us as alive; we speak to them, give them names, breathe life into them.  The imagination knows no bounds.  As we grow up, we gradually lose this facility, until we finally arrive in an utterly “demystified” world that draws clear boundaries between what is alive and what is not, between subjective and objective perception.  According to Sigmund Freud, culture is the only domain in our modern society that gives a measure of legitimacy to the persistence of this infantile desire to see things as animate.  In the field of art, imagination is the precondition on which fiction of any sort rests; in art, mental states can be projected onto objects and images, but not in social reality or the sciences.

Dietrich Karner in Animism:  Modernity Through the Looking Glass

Comments are welcome!