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Pearls from artists* # 198

"Troublemaker," soft pastel on sandpaper, 20" x 26"

“Troublemaker,” soft pastel on sandpaper, 20″ x 26″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The writer doesn’t need economic freedom.  All he needs is a pencil and some paper.  I’ve never known anything good in writing to come from having accepted any free gift of money.  The good writer never applies to a foundation.  He’s too busy writing something.  If he isn’t first rate he fools himself by saying he hasn’t got time or economic freedom.  Good art can come out of thieves, bootleggers, or horse swipes.  People really are afraid to find out just how much hardship and poverty they can stand.  They are afraid to find out how tough they are.  Nothing can destroy the good writer.  The only thing that can alter the good writer is death.  Good ones don’t have time to bother with success or getting rich…

Nothing can injure a man’s writing if he’s a first-rate writer.  If a man is not a first-rate writer, there’s not anything that can help it much.  The problem does not apply if he is not first-rate, because he has already sold his soul for a swimming pool.

William Faulkner in Writers at Work:  The Paris Review Interviews First Series, edited and with an introduction by Malcolm Cowley

Comments are welcome!

Q: If you knew that you would never sell another pastel painting, would you still make them?

Preliminary sketch and photo

Preliminary sketch and photo

A:  This is an interesting question to ponder in August when the art world is on vacation.

Certainly I would continue (reread my blog post of July 25th), but I wouldn’t bother to make them if one unrelated thing were true:  that I knew beforehand what they would look like.  Then the process just wouldn’t be very interesting.

Each pastel painting is an exploration, a journey with a point of departure.  My reference photo and preliminary sketch serve as guides, but creating a painting is like making a voyage with only the roughest of maps.  As I work, new possibilities open up that take the painting  – and me – to places that could not have been imagined.      

Comments are welcome!         

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