Pearls from artists* # 193
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Interviewer: Your work includes a great range of experience, as well as of form. What do you think is the greatest quality a poet can have? Is it formal, or is it a quality of thinking?
Ezra Pound: I don’t know that you can put the needed qualities in hierarchic order, but he must have a continuous curiosity, which of course does not make him a writer. but if he hasn’t got that he will wither. And the question of doing anything about it depends on a persistent energy. A man like Agassiz is never bored, never tired. The transit from the reception of stimuli to the recording, to the correlation, that is what takes the whole energy of a lifetime.
Writers at Work: The Paris Review Interviews Second Series, edited by George Plimpton and introduced by Van Wyck Brooks
Comments are welcome!
Posted on April 27, 2016, in 2016, An Artist's Life, Art in general, Black Paintings, Creative Process, Gods and Monsters, Inspiration, New York, NY, Pastel Painting, Pearls from Artists, Photography, Quotes, Studio, Working methods and tagged "Writers at Work: The Paris Review Interviews Second Series", Agassiz, anything, continuous, correlation, course, curiosity, depends, edited, energy, experience, Ezra Pound, formal, George Plimpton, greatest, hierarchic, interviewer, lifetime, persistent, quality, quesion, recepton, recording, stimuli, thinking, transit, Van Wyck Brooks, wither, writer. Bookmark the permalink. Comments Off on Pearls from artists* # 193.