Posted on January 11, 2014, in 2014, Art Works in Progress, Black Paintings, New York, NY, Painting in General, Pastel Painting, Photography, Studio and tagged artist, Besides, comunication, constantly, dialog, equally, evolves, experience, feelings, generally, hurting, insights, interpretations, judge, learned, meanings, message, missed, nothing, opinions, opportunity, overall, overarching, people, perceived, recently, something, specify, thinking, valid, viewers, work, wrong. Bookmark the permalink. 5 Comments.
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- Pearls from artists* # 693
- Q: You started the Bolivianos series in 2017. It has been 8 years since you created The Champ. This endeavor of focussing on a series for almost a decade’s timeline shows that you embody stability as against many artists who tend to hop on to the next inspiration they find. How has discipline, stability, focus and punctuality defined your works apart from being inspired by Bolivian culture for the series Bolivianos? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 692
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- Q: You started the Bolivianos series in 2017. It has been 8 years since you created The Champ. This endeavor of focussing on a series for almost a decade’s timeline shows that you embody stability as against many artists who tend to hop on to the next inspiration they find. How has discipline, stability, focus and punctuality defined your works apart from being inspired by Bolivian culture for the series Bolivianos? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 692
- Q: Another exhibition was described as “a journey from identity to authenticity.” Does that resonate? (Question from “Pastel, Passion, and Perseverance: An Interview with Barbara Rachko” in .ART Odyssey: Healing)
- Pearls from artists* # 691
- Start/Finish of “Showman,” soft pastel on sandpaper, 26” x 20”
- Pearls from artists* # 690
- Q: You take 3-4 months to complete one artwork. How do you plan a series such as Bolivianos over a year’s timeline and over the years? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 689
- Q: Over your 40-year career as an artist, you have managed to keep presentation, technical, subject matter, conceptual consistencies in your art practice and work. How do you manage to filter out inspirations that might be luring at that moment but do not support your art practice? For example, you master pastel works. There must have been moments when you might have been inspired to make oil works. How do you keep such inspirations aside. (Question from Vedica Art Studios and Gallery)
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Hi Barbara, Sorry you had that experience. Most people don’t know how to listen to a different opinion without getting defensive. It is fun to hear how different viewers interpret our work. At one show (Musician paintings) a visitor patted me on the arm sympathetically and said, ‘Tsk! They’re all so sad!’ Two days later another visitor exulted ‘They’re so optimistic!’ If we can maintain our sense of humor, it’s a lot of fun.
all the best, Laurel
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Thanks, Laurel. You are so right. As with so many experiences in life, the secret is to stay open to other ideas.
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Greetings Barbra – All work has a message of some sort if it strong or not that up to the artist to provoke the viewer and the viewer can take it from there – Till later rave on and continue with the great thought provoking – Blog .
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Hi Barbara: I would throw this comment to the wind. In the world of art, works are all subject to opinion and there will always be those who are most supportive and often an equal number against. There are numerous examples in art history e.g. Van Gogh. If you have even a few people who like your work and want to purchase it you have hit a home run!
I find your art most engaging and can only add “Good Work, Please Keep It Up”.
As a matter of fact, your studio is also engaging as it is so well organized and likely the envy of many. Bravo.
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Bruce, thanks for your thoughtful comment and for following the blog. I agree completely with your ‘home run’ comment. As artists our work is meant for a select audience, even if it’s an audience of one.
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