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Pearls from artists* # 424

New York, NY

New York, NY

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

What the unproductive artist describes as his failure of will or insufficient motivation may rather be an absence in his belief system of the meaningfulness of art or of the art-making he’s presently doing. The most salient difference between the regularly blocked artist and the regularly productive artist may not be the greater talent of the latter, but the fact that the productive artist possesses and retains his missionary zeal.

Carlos Santana likened artists to “warriors in the trenches who have the vision of saving us from going over the edge.”  The artist who possesses this vision will pursue his art even if he sometimes blocks.  The artist who is less certain about the sacredness of his profession or the value of his work is hard-pressed to battle for art’s sake.  

Eric Maisel in A Life in the Arts:  Practical Guidance and Inspiration for Creative and Performing Artists

Comments are welcome!

Pearls from artists* # 255

Barbara at work on "The Storyteller"

Barbara at work on “The Storyteller”

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… several basic assumptions I have about the need for authenticity:

  1. Because in the end there is no other kind of art.
  2. I could have used the word ‘originality,” rather than authenticity, if the word’s root in “origin,” as in, “from the depth or source,” is recognized.  However, the word implies a certain newness, “never done before,” that authenticity does not, and art in general does not need, in order to be deeply personal.
  3. Something that is authentic “rings true” for us.  It comes from an inner truth.  We draw from a source that is inner-directed rather than outer-directed, to use Maslow’s expression about self-actualization.
  4. Creating work that is authentic has a sacredness about it.  It may be a way out – a small way perhaps, but at least a personal way – of a social dynamic that is all economics, consumerism, greed, and disregard for inner life.  The word “science” comes from a root meaning “to separate.”  Our cultural world view has been deeply influenced by that.  Anything that we come to authentically in our artistic expression demands a personal inner synthesis.  It is experience and insight won firsthand.  The more we assimilate our “experience” from the advertising/media/consumer/government perspective the less authentic it will be.
  5. Most of what we express creatively is prelinguistic.  The deeper insights are obviously coming from somewhere.  They are not logically structured in the mind, but it may take logic to get them expressed.
  6. Ultimately, it doesn’t matter to the world if you paint or dance or write.  The world can probably get by without your efforts.  But that is not the point.  The point is what the inner process of following your creative process will do, to you.  It is clearly abut process.  Love the work, love the process.  Our fascination will pull our attention forward.  That, also, will fascinate the viewer.   

 Ian Roberts in Creative Authenticity:  16 Principles to Clarify and Deepen Your Artistic Vision

Comments are welcome!

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