A: Pastel usually comes out of my clothes easily in the laundry, unless I have had an intense studio session where I let it make a total mess. I try not to wear good clothes to the studio. Getting it off my hands is easy with Artguard, a barrier cream I always apply before working. A good scrub with soap and water washes the pastel right off.
The worst occupational hazard, believe it or not, is what happens to the tops of my shoes! As I work, the dust falls onto my feet and I usually don’t notice until the end of the day. Whether made of canvas, leather, or whatever, shoes can be a problem when it comes to removing the dust.
Comments are welcome!
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
The tendency to complete a Gestalt is so strong that it is surprising so many people have trouble finishing tasks. It just shows the inherent difficulty of getting anything physical accomplished. Matter is stubborn. Only dogged effort brings a concept into an arena in which it can demand the serious attention we give a challenge to our own physical selves. It is here that “conceptual art” tends to be, using Alexandra’s (Truitt’s daughter) adjective, “lame.” The concept, remaining merely conceptual, falls short of the bite of physical presence. Just one step away is the debilitating idea that a concept is as forceful in its conception as in its realization.
I see that this might be considered an intelligent move. The world is cluttered with objects anyway. The ideas in my head are invariably more radiant than what is under my hand. But something puritanical and tough in me won’t take that fence. The poem has to be written, the painting painted, the sculpture wrought. The beds have to be made, the food cooked, the dishes done, the clothes washed and ironed. Life just seems to me irremediably about coping with the physical.
Ann Truitt, Daybook: The Journal of an Artist
Comments are welcome.