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Q: Pastel dust can be toxic. Do you use air filters in your work space?
Posted by barbararachkoscoloreddust

Barbara’s Studio
A: No, but I wear a surgical mask when I work, to prevent breathing pastel dust. Also, I use a barrier cream, called Artgard, to prevent pigment being absorbed into my skin through cuts. I take care that my head is always higher than my hand as I work, so the dust is below my mouth and nose. It’s difficult to tell from the photo but my easel is tilted forward, allowing pastel dust to fall onto the easel and floor.
I am well aware of the toxicity of pastel, especially with colors that contain cadmium, and believe I take the proper precautions. After forty years working with soft pastel, so far I’ve managed to stay healthy.
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Posted in 2025, 2025, An Artist's Life, Studio, Working methods
Comments Off on Q: Pastel dust can be toxic. Do you use air filters in your work space?
Tags: absorbed, air filters, allowing, Artguard, barrier cream, breathing, cadmium, colors, difficult, especially, forward, healthy, higher, managed, pastel dust, pigment, precautions, prevent, proper, surgical mask, tilted, toxicity, work space
Q: All art media involve some level of toxicity. Do you use an air filter? How do you protect yourself against the harmful effects of working with soft pastel?
Posted by barbararachkoscoloreddust

A: No, but I wear a surgical mask when I work, to prevent breathing the pastel dust. Also, before I begin, I apply a barrier cream, called Artgard, to my hands to prevent pigment being absorbed into my skin through any tiny cuts I may have.
My easel is tilted forward, allowing pastel dust to fall onto the easel and floor. I take care that my head is always higher than my hand as I work, so the dust is below my mouth and nose. I am well aware of the toxicity of pastel and believe I take the proper precautions. After nearly forty years working with soft pastel, so far I’ve managed to stay healthy.
Comments are welcome.
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Posted in 2025, 2025, Pastel Painting, Studio, Working methods
Comments Off on Q: All art media involve some level of toxicity. Do you use an air filter? How do you protect yourself against the harmful effects of working with soft pastel?
Tags: absorbed, air filter, allowing, apply, art media, Artguard, barrier cream, believe, breathing, effects, forward, harmful, healthy, involve, managed, pastel dust, pigment, precautions, prevent, proper, protect, soft pastel, surgical mask, tilted, toxicity, working, yourself
Q: How do you remove pastel dust from your clothing, fingers, etc.?
Posted by barbararachkoscoloreddust
A: Pastel usually comes out of my clothes easily in the laundry, unless I have had an intense studio session where I let it make a total mess. I try not to wear good clothes to the studio. Getting it off my hands is easy with Artguard, a barrier cream I always apply before working. A good scrub with soap and water washes the pastel right off.
The worst occupational hazard, believe it or not, is what happens to the tops of my shoes! As I work, the dust falls onto my feet and I usually don’t notice until the end of the day. Whether made of canvas, leather, or whatever, shoes can be a problem when it comes to removing the dust.
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Posted in 2013, An Artist's Life, Pastel Painting, Studio, Working methods
Comments Off on Q: How do you remove pastel dust from your clothing, fingers, etc.?
Tags: Artguard, barrier cream, canvas, clothes, clothing, dust, fall, feet, finger, good, hand, happen, intense, laundry, leather, mess, obliviously, occupational hazard, often, pastel, remove, scrub, session, shoes, soap, Studio, topic, total, tough, wash, water, wear, whatever, working, worst
Q: What do you do to protect yourself from toxic pastel dust?
Posted by barbararachkoscoloreddust
A: Certain sticks of soft pastel contain toxic lead and cadmium so some precautions are necessary. Before I begin working, I liberally apply a barrier cream, called Artguard, to my hands and wrists so that pastel will not be absorbed through my skin via small cuts that I might have. I wear a surgical mask to avoided breathing the dust. Also, I try to work so that my hand is below my head, to lessen the likelihood of breathing particles of pastel as they fall to the floor. I ensure there is good air circulation in my studio. Once the dust has settled onto the floor, I try not to stir it up again until I dispose of it. I’ve been working with soft pastel for 27 years and have managed to stay healthy so far.
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Posted in 2013, New York, NY, Pastel Painting, Photography, Studio, Working methods
Tags: absorb, air circulation, Artguard, barrier cream, breathe, breathing, cadmium, cut, dust, fall, floor, hand, head, healthy, lead, particle, pastel, precautions, skin, small, soft pastel, stick, Studio, surgical mask, toxic, used, work, wrist

