Posted on June 23, 2018, in 2018, An Artist's Life, Inspiration, New York, NY and tagged art world, artists, careers, collectors, dependent, gatekeepers, inequities, museum directors, opportunities, profession, professions, Salomon Arts, social media, status, take charge, Tribeca, women. Bookmark the permalink. 2 Comments.
Personal Links
- Join 229K other subscribers
-
Recent Posts
Translate
Make a Donation
Categories
- Alexandria (VA)
- An Artist’s Life
- Art Business
- Art in general
- Art Works in Progress
- Bali and Java
- Black Paintings
- Bolivia
- Bolivianos
- Creative Process
- Domestic Threats
- Exhibitions
- Gods and Monsters
- India
- Guatemala
- Inspiration
- Mexico
- New York, NY
- Painting in General
- Pastel Painting
- Pearls from Artists
- Peru
- Photography
- Quotes
- Source Material
- Sri Lanka
- Studio
- Teleidoscope
- The West Village
- Travel
- VA
- Working methods
- Writing
- Follow barbararachkoscoloreddust.com on WordPress.com
RSS- Pearls from artists* # 696
- Q: How do you think your recent trip to Bolivia will affect your work?
- Pearls from artists* # 695
- Q: What’s on the easel today?
- Pearls from artists* #694
- Q: Many artists can’t bear to face “a blank canvas.” How do you feel about starting a new piece?
- Pearls from artists* # 693
- Q: You started the Bolivianos series in 2017. It has been 8 years since you created The Champ. This endeavor of focussing on a series for almost a decade’s timeline shows that you embody stability as against many artists who tend to hop on to the next inspiration they find. How has discipline, stability, focus and punctuality defined your works apart from being inspired by Bolivian culture for the series Bolivianos? (Question from Vedica Art Studios and Gallery)
- Pearls from artists* # 692
- Q: Another exhibition was described as “a journey from identity to authenticity.” Does that resonate? (Question from “Pastel, Passion, and Perseverance: An Interview with Barbara Rachko” in .ART Odyssey: Healing)
Archives
Meta
- Follow barbararachkoscoloreddust.com on WordPress.com

Interesting subject, Barbara. Another way to sort this out might be to see how much current politics drives the makers of art, the viewers of art, and the promoters/buyers/sellers of art. Is it solely the presence of women in “consequential” places that opens the field to more women? Considering that women USED TO be expected to stay in the realms of homemaking, child rearing, arts, literature, and as employees of men who were the executives– NOW the “ceiling” has cracked and women are making a LOT of noise with their new voice. What woman artists are producing is full of hubris (always a stimulant to the art market) and our “times” are those of agitation and debate. Pushing what is current is what galleries will always do, the make money. So galleries will choose to show what sells the ready buyer– and now women are very much the ones who have freedom of the checkbook! They are working!
But what else is suffering? Do the women “own” so much of the art dynamic that we have lost the scope of a dual perspective? Have we yelled louder than men? And is this a permanent situation, or will we (we always do) eventually evolve into a difference balance.
Is art imitating life? SGHolland
LikeLike
Susan, all of these are interesting points. Thanks for commenting and giving me more to think about!
LikeLike