Blog Archives

Pearls from artists* # 537

Dropping work off at the framer

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

As often as the artist is criticized, he’s probably more often rejected. If you produce a product for which there is only a limited demand, if you ignore the requirements of the workplace, if you’re unlucky and unconnected, if you do work that is objectively inferior to the work of other artists in your territory, if you venture into new territory, if your message isn’t a bland one, then you’re more likely to experience rejection. The producer Don Simpson described life as a production executive at Paramount: ”You’re tired all the time, and you’re never in a great mood because you have to say no to 200 people a week. Ninety percent of your judgments are no. You offend people, you hurt people, you may damage people.”

Eric Maisel in A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists

Comments are welcome!

Q: What does it feel like when you dop off a pastel painting at your Virginia framer’s shop? Are you sorry to see it go? (Question from Caroline Golden)

Framing “Impresario,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

A: Actually, just the opposite since I have been looking at it on my easel for more than three months. Typically, I’m glad to say goodbye – temporarily – because I know when I pick it up in a month, I will have gained some distance and can begin to see and think about it more objectively. I can start reflecting on how this pastel painting relates to my overall body of work.

Comments are welcome!