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Q: What do you dislike most about being an artist?

"Some Things We Regret," soft pastel on sandpaper, 58" x 38"

“Some Things We Regret,” soft pastel on sandpaper, 58″ x 38″

A:  It’s the fact that too often artists remain unappreciated while they are alive and/or do not share in the rewards after long years of struggle against numbing odds.  They/we do whatever is necessary to keep creating new work even as it is ignored and misunderstood. 

This unfortunate situation has repeated itself throughout the history of art.  As Hilary Spurling stated in the preface to her two-volume biography, Matisse The Master, even Henri Matisse was misunderstood, his work regarded as “merely decorative” during his lifetime and long after.  

At this time I have few illusions about the difficulties of being an artist.   Somehow I still tell myself, ignore the setbacks and work like there’s no tomorrow.

Comments are welcome!               

Pearls from artists* # 282

"The Champ," soft pastel on sandpaper, 26" x 20"

“The Champ,” soft pastel on sandpaper, 26″ x 20″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The longstanding, at one time almost universal, dismissal of one of the greatest artists of the twentieth century as essentially decorative and superficial is based, at any rate in part, on a simplistic response to the poise, clarity and radiant colour of Matisse’s work that fails to take account of the apprehensive and at times anguished emotional sensibility from which it sprang.

Hilary Spurling in Matisse the Master, A Life of Henri Matisse:  The Conquest of Colour, 1909 – 1954  

Comments are welcome!