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Q: Would you speak more about being represented by Brewster Gallery in the late 1990s?

Review of my first exhibition at Brewster Gallery
Review of my first exhibition at Brewster Gallery

A: In 1996 I landed my first major New York gallery, Brewster Gallery.  I was still living in Virginia and Mia Kim, the director, had accepted my work on the basis of unsolicited slides mailed to the gallery in July.  The first time she saw my pastel paintings in person was when I delivered them for a solo exhibition in October.

Brewster represented Latin American masters such as Frida Kahlo, Francisco Zuniga, Diego Rivera, Francisco Toledo, and Rufino Tamayo.  Mia Kim, the director, said that she sometimes had to defend her decision to represent me.  Mia’s fabulous response was, “Barbara has the SOUL of a Latina!”  My work at that time was heavily influenced by Mexican culture.  Mia immediately understood what I was doing in my work.  How thrilled and honored I was to be represented by a gallery where my fellow sole non-Latina was Leonora Carrington!  Leonora came to my opening.

Those were wonderful days!

Comments are welcome!

Pearls from artists* # 119

"He and She"

“He and She”

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

During the course of the past several years we have experienced a seismic shift in the way the world functions.  Any notion of a certain or stable or inevitable future has vanished.  We are living in what the Polish philosopher Zygmunt Bauman calls “liquid modernity.”  No one’s life is predictable or secure.  We are confronted with challenges never previously encountered, and these challenges weigh heavily on the role and responsibilities of the individual in society.  It is the onus of each one of us to adjust, shift and adjust again to the constant liquid environment of fluid and unending change.  In the midst of all this reeling and realignment, the moment is ripe to activate new models and proposals for how arts organizations [and artists] can flourish in the present climate and into an uncertain future. 

What’s the Story:  Essays about art, theater, and storytelling by Anne Bogart

Comments are welcome!