Category Archives: An Artist’s Life

Pearls from artists* # 224

"Poker Face," soft pastel on sandpaper, 38" x 58" image, 50" x70" framed

“Poker Face,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… wise writers decline to engage in debates over the right way to read their words.  T.S. Eliot was once approached with a question about a cryptic line from his poem “Ash-Wednesday”: “Lady, three white leopards sat under a juniper-tree.”  What did the line mean?  The poet replied:  “I mean, ‘Lady, three white leopards sat under a juniper-tree .”  Creating a text, Eliot  seems to be saying, like having a child, only means bringing something into the world.  It doesn’t include the power to control it’s destiny.

Adam Kirsch in “Can You Read a Book the Wrong Way?”, The New York Times Book Review, Sept. 27, 2016.    

Comments are welcome!  

Q: Do you have an essential philosophy that guides you in your creative expression?

A wall in Barbara's studio

A wall in Barbara’s studio

A:  Here are my two essential philosophies:

“Give it all you’ve got and keep going.”  I wrote this years ago on a piece of paper and tacked it onto the wall behind my easel so I can always see it.

“Excellence can be attained if you… care more than others think is wise… risk more than others think is safe… dream more than others think is practical… expect more than others think is possible.”  These words are on a small plaque, also tacked on the wall behind my easel.  A co-worker gave this to me when I resigned my Naval commission to pursue an art career.

Comments are welcome!

 

 

Pearls from artists* # 223

"Epiphany," soft pastel on sandpaper, 38" x 58"

“Epiphany,” soft pastel on sandpaper, 38″ x 58″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

This is precisely the time when artists get to work.  There is no time for despair, no place for self-pity, no need for silence, no room for fear.  We speak, we write, we do language.  That is how civilizations heal.

I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence.  Like failure, chaos contains information that can lead to knowledge – even wisdom.  Like art.

Toni Morrison quoted in Brainpickings, Nov. 20, 2016

Comments are welcome!

 

Q: What art marketing activities do you put into practice regularly that work most successfully for you?

"White Star," 38" x58", ready to go to the framer

“White Star,” 38″ x58″, ready to go to the framer

A:  This blog continues to be a crucial part of my overall art practice.  Blogging twice a week forces me to think deeply about my work and to explain it clearly to others.  The process has helped develop a better understanding about why I make art and has encouraged me to become a better writer.

As far as art marketing, one crucial activity is to take my blog posts and repurpose them for posting on social media sites.  Several years ago I realized it’s necessary to put as much time and energy into getting my work seen online as it is to create it.  

With the help of my assistant I stay active on Facebook, LinkedIn, Twitter, Instagram, and Pinterest.  I have sold paintings, in the 5-figure price range, through Facebook connections. Recently an art critic reconnected with me via LinkedIn and went on to write a scholarly essay about my “Black Paintings.”  In December she’s presenting a paper at Oxford University and will speak about my work.

I find online marketing to be a constant challenge, but it does yield rewards.  You never know what might happen.

Comments are welcome!        

Pearls from artists* # 222

Washington, DC

Washington, DC

an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I always had a sense of being in this for keeps.  If your health lasts you.  And you’re fortunate enough to have the days at your disposal so you can keep doing this.  I never had the sense that there was an end.  That there was a retirement or that there was a jackpot.

Leinard Cohen in Brain Pickings Weekly, Nov. 13, 2016

Comments are welcome!

Pearls from artists* # 221

Walking on Spiral Jetty in September 2011

Walking on Spiral Jetty in September 2011

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Andre Malraux famously cherished the idea of a museum without walls.  In a way, places like Spiral Jetty are jails without walls.  They are always about time, about how long they can detain or hold you.  I remember the governor of a US prison saying, of a particularly violent inmate, that he already had way more time than he would ever be able to do.  That’s exactly how the Jetty looked – like it had more time than it could ever do – even though, relatively speaking, it had hardly begun to put in any serious time.

Geoff Dyer in White Sands:  Experiences from the Outside World 

Comments are welcome!  

Q: What invaluable art business lesson did you learn in the past year?

Barbara's studio

Barbara’s studio

A:  I have decided that it IS necessary to work with art galleries.  During my thirty years as an artist, I have been represented by two dozen galleries and found most to be disappointing.  For the past few years I have focused extensively on social media and other sorts of creative marketing.  My efforts have built significant name recognition – many more people around the world know about me and my work – but my collector base has not expanded as much as I would have liked.  So I have revised my marketing strategy to include gallery representation.

Comments are welcome! 

Q: What advice to you have for younger artists who are just beginning their careers?

Barbara's studio

Barbara’s studio

A:  I have two pieces of advice:

  • Build a support network among your fellow artists, teachers, and friends.  It is tough to be an artist starting out.  Also, be sure to read plenty of books by and about artists.  All have experienced similar challenges.
  • Do whatever you must to keep working – no matter what!  Being an artist never really gets easier.  There are always new obstacles and you’ll discover solutions over time.

Comments are welcome!

 

Pearls from artists* # 218

Untouched sandpaper

Untouched sandpaper

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Let go of every should or shouldn’t running through your mind when you start.  Be willing to stand at the base of a new mountain, and with humility and grace, bow to it.  Allow yourself to understand that it’s bigger than you, or anything you can possibly imagine.  You’re not sure of your path.  You’re not even sure where the next step will take you.  When you begin, whisper to yourself:  I don’t know.   

Dani Shapiro in Still Writing:  The Perils and Pleasures of a Creative Life

Comments are welcome!

Pearls from artists* # 216

Working on "Charade"

Working on “Charade”

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

This is true for all artists, not only writers.

The writing life requires courage, patience, persistence, empathy, openness, and the ability to deal with rejection.  It requires the willingness to be alone with oneself.  To be gentle with oneself.  To look at the world without blinders on.  To observe and withstand what one sees.  To be disciplined, and at the same time, take risks.  To be willing to fail – not just once, but again and again, over the course of a lifetime.  “Ever tried, ever failed,” Samuel Beckett once wrote.  “No matter.  Try again.  Fail again.  Fail better.”  It requires what the great editor Ted Solotoroff once called endurability.  It is this quality, most of all, that I think of when I look around a classroom at a group of aspiring writers.  Some of them will be more gifted than others.  Some of them will be driven, ambitious for success or fame, rather than by the determination to do their best possible work.  But of the students I have taught, it is not necessarily the most gifted, or the ones most focused on imminent literary fame (I think of these as short sprinters), but the ones who endure, who are still writing, decades later.

Dani Shapiro in Still Writing:  The Perils and Pleasures of a Creative Life

Comments are welcome!