Q: Why did you first decide to depict Mexican folk art in your work?
A: As a Christmas present in 1991 my future sister-in-law sent me two brightly painted wooden animal figures from Oaxaca, Mexico. One was a blue polka-dotted winged horse. The other was a red, white, and black bear-like figure. See the two Mexican figures in “Myth Meets Dream” above.
I was enthralled with this gift and the timing was fortuitous because I had been searching for new subject matter to paint. Soon I started asking artist-friends about Oaxaca and learned that it was an important art hub. Two well-known Mexican painters, Rufino Tamayo and Francisco Toledo, had gotten their start there, as had master photographer Manual Alvarez Bravo. There was a “Oaxacan School of Painting” (‘school’ meaning a style, not an actual building) and Alvarez Bravo had established a photography school there (the building/institution kind). I began reading everything I could find. At the time I had only been to Mexico very briefly, in 1975, having made a road trip to Ensenada with my cousin and best friend from college.
The following autumn my then-boyfriend, Bryan, and I planned a two-week trip to visit Mexico. We timed it to see Day of the Dead celebrations in Oaxaca. (In my reading I had become fascinated with this unique festival). We spent one week in Oaxaca followed by one week in Mexico City. My interest in collecting Mexican folk art was off and running!
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Posted on August 25, 2018, in An Artist's Life, Creative Process, Domestic Threats, Inspiration, Mexico, Travel and tagged "Myth Meets Dream", “Oaxaca School of Painting”, Bryan, building, celebrations, Christmas present, Day of the Dead, Domestic Threats, Ensenada, festival, Francisco Toledo, interest, Manual Alvarez Bravo, Mexican folk art, Mexico, Mexico City, Oaxaca, paint, painters, photographer, revelation, road trip, Rufino Tamayo, sister-in-law, soft pastel on sandpaper, style, subject matter, wooden animal figures. Bookmark the permalink. 2 Comments.